Essays: Biographical, Critical, and Historical; Illustrative of the Tatler, Spectator, and Guardian, Bind 2Suttaby, Evance, and Fox, 1814 |
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Side 147
... racter , and which we find in hardly any of the ancients , besides Aristotle , and but in a very few of the moderns . For what concerns his criticism on Milton in particular , there was this accidental benefit arising from it , that it ...
... racter , and which we find in hardly any of the ancients , besides Aristotle , and but in a very few of the moderns . For what concerns his criticism on Milton in particular , there was this accidental benefit arising from it , that it ...
Side 191
... racter of Sir Roger , we shall find him neither attributing his singularities to derangement , which would be degrading , nor to good sense , which would be absurd , but pourtraying a combination of natural qualities of very possible ...
... racter of Sir Roger , we shall find him neither attributing his singularities to derangement , which would be degrading , nor to good sense , which would be absurd , but pourtraying a combination of natural qualities of very possible ...
Side 284
... racter beneficence and beauty are essential . None of them are mischievous or malignant , none of them are deformed or diminutive , like the Gothic fairy . Though they correspond in beauty with our ideas of angels , their employments ...
... racter beneficence and beauty are essential . None of them are mischievous or malignant , none of them are deformed or diminutive , like the Gothic fairy . Though they correspond in beauty with our ideas of angels , their employments ...
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Addison admirable Anatomy of Melancholy ancient apologues appear Arabian beauty caliphs Canterbury Tales century character charms Chaucer colours composition consider criticism crusade delight diction Ditto Dryden East edition effect elegant endeavour English English Poetry Essays excellent exhibited exquisite fable fairy fancy genius Geoffery Gesta Romanorum grace hath heaven humour imagery imagination justly king language learned literary literature Lord manner ment merit Milton mind moral nature never night observes opinion oriental passage period Persian perspicuity philosophy Pilpay pleasing pleasure poem poet poetry present productions prose racter reader remarks rich Roger de Coverley romance says second Crusade sense Shakspeare shew Simeon Seth simplicity Sir Roger species specimen Spectator spirit stars story style sublime supposed sweetness taste Tatler things third crusade thou tion verse whilst William of Malmesbury wonderful words writers written