faculty of shaping images in the distance out of slight elements, and grouping them after the yearnings of the heart, grew upon me in morbid excess. And I recall at the present moment one instance of that sort which may show how merely shadows, or a gleam of brightness, or nothing at all, could furnish a sufficient basis for this creative faculty.

On Sunday mornings I went with the rest of my family to church: it was a church on the ancient model of England, having aisles, galleries,* organ, all things ancient and venerable, and the proportions majestic. Here, whilst the congregation knelt through the long litany, as often as we came to that passage, so beautiful amongst many that are so, where God is supplicated on behalf of "all sick persons and young children,” and that he would "show his pity upon all prisoners and captives," I wept in secret; and raising my streaming eyes to the upper windows of the galleries, saw, on days when the sun was shining, a spectacle as affecting as ever prophet can have beheld. The sides of the windows were rich with storied glass; through the deep purples and crimsons streamed the golden light; emblazonries of heavenly illumination (from the sun) mingling with the earthly emblazonries (from art and its gorgeous coloring) of what is grandest in man. There were the apostles that had trampled upon earth, and the glories of earth, out of celestial love to man.

*"Galleries."- These, though condemned on some grounds by the restorers of authentic church architecture, have, nevertheless, this one advantage that, when the height of a church is that dimension which most of all expresses its sacred character, galleries expound and interpret that height.

There were the martyrs that had borne witness to the truth through flames, through torments, and through armies of fierce, insulting faces. There were the saints who, under intolerable pangs, had glorified God by meek submission to his will. And all the time, whilst this tumult of sublime memorials held on as the deep chords from some accompaniment in the bass, I saw through the wide central field of the window, where the glass was uncolored, white, fleecy clouds sailing over the azure depths of the sky were it but a fragment or a hint of such a cloud, immediately under the flash of my sorrow-haunted eye, it grew and shaped itself into visions of beds with white lawny curtains; and in the beds lay sick children, dying children, that were tossing in anguish, and weeping clamorously for death. God, for some mysterious reason, could not suddenly release them from their pain; but he suffered the beds, as it seemed, to rise slowly through the clouds; slowly the beds ascended into the chambers of the air; slowly, also, his arms descended from the heavens, that he and his young children, whom in Palestine, once and for ever, he had blessed, though they must pass slowly through the dreadful chasm of separation, might yet meet the sooner.

These visions were self-sustained. These visions needed not that any sound should speak to me, or music mould my feelings. The hint from the litany, the fragment from the clouds,- those and the storied windows were sufficient. But not the less the blare of the tumultuous organ wrought its own separate creations. And oftentimes in anthems, when the mighty instrument threw its vast columns of sound, fierce yet melo

dious, over the voices of the choir,- high in arches, when it seemed to rise, surmounting and overriding the strife of the vocal parts, and gathering by strong coercion the total storm into unity, sometimes I seemed to rise and walk triumphantly upon those clouds which, but a moment before, I had looked up to as mementoes of prostate sorrow; yes, sometimes under the transfigurations of music, felt of grief itself as of a fiery chariot for mounting victoriously above the causes of grief.

God speaks to children, also, in dreams, and by the oracles that lurk in darkness. But in solitude, above all things, when made vocal to the meditative heart by the truths and services of a national church, God holds with children "communion undisturbed." Solitude, though it may be silent as light, is, like light, the mightiest of agencies; for solitude is essential to man. All men come into this world alone; all leave it alone. Even a little child has a dread, whispering consciousness, that, if he should be summoned to travel into God's presence, no gentle nurse will be allowed to lead him by the hand, nor mother to carry him in her arms, nor little sister to share his trepidations. King and priest, warrior and maiden, philosopher and child, all must walk those mighty galleries alone. The solitude, therefore, which in this world appalls or fascinates a child's heart, is but the echo of a far deeper solitude, through which already he has passed, and of another solitude deeper still, through which he has to pass: reflex of one solitude - prefiguration of another.

O burden of solitude, that cleavest to man through every stage of his being! in his birth, which has beenin his life, which is in his death, which shall be—

mighty and essential solitude! that wast, and art, and art to be; thou broodest, like the Spirit of God moving upon the surface of the deeps, over every heart that sleeps in the nurseries of Christendom. Like the vast laboratory of the air, which, seeming to be nothing, or less than the shadow of a shade, hides within itself the principles of all things, solitude for the meditating child is the Agrippa's mirror of the unseen universe. Deep is the solitude of millions who, with hearts welling forth love, have none to love them. Deep is the solitude of those who, under secret griefs, have none to pity them. Deep is the solitude of those who, fighting with doubts or darkness, have none to counsel them. But deeper than the deepest of these solitudes is that which broods over childhood under the passion of sorrow bringing before it, at intervals, the final solitude which watches for it, and is waiting for it within the gates of death. O mighty and essential solitude, that wast, and art, and art to be, thy kingdom is made perfect in the grave; but even over those that keep watch outside the grave, like myself, an infant of six years old, thou stretchest out a sceptre of fascinątion.

Well it was for me that, at this crisis, I was summoned to put on the harness of life by commencing my classical studies under one of my guardians, a clergyman of the English Church, and (so far as regarded Latin) a most accomplished scholar.

At the very commencement of my new studies there happened an incident which afflicted me much for a short time, and left behind a gloomy impression, that suffering and wretchedness were diffused amongst all

creatures that breathe. A person had given me a kitten. There are three animals which seem, beyond all others, to reflect the beauty of human infancy in two of its elements- namely, joy and guileless innocence, though less in its third element of simplicity, because that requires language for its full expression: these three animals are the kitten, the lamb, and the fawn. Other creatures may be as happy, but they do not show it so much. Great was the love which poor silly I had for this little kitten; but, as I left home at ten in the morning, and did not return till near five in the afternoon, I was obliged, with some anxiety, to throw it for those seven hours upon its own discretion, as infirm a basis for reasonable hope as could be imagined. I did not wish the kitten, indeed, at all less foolish than it was, except just when I was leaving home, and then its exceeding folly gave me a pang. Just about that time, it happened that we had received, as a present from Leicestershire, a fine young Newfoundland dog, who was under a cloud of disgrace for crimes of his youthful blood committed in that county. My poor kitten, it was supposed, had been engaged in some playful trespass upon Turk's property, and Turk laid her dead on the spot. It is impossible to describe my grief when the case was made known to me at five o'clock in the evening, by a man's holding out the little creature dead: she that I had left so full of glorious life — life which even in a kitten is infinite,

was now stretched

in motionless repose. I remember that there was a large coal-stack in the yard. I dropped my Latin books, sat down upon a huge block of coal, and burst into a passion of tears.