spots of innocent blood upon its surface. By the fountain, bishop, you saw a woman seated, that hid her face. But as you draw near, the woman raises her wasted features. Would Domrémy know them again for the features of her child? Ah, but you know them, bishop, well! Oh, mercy! what a groan was that which the servants, waiting outside the bishop's dream at his bedside, heard from his laboring heart, as at this moment he turned away from the fountain and the woman, seeking rest in the forests afar off. Yet not so to escape the woman, whom once again he must behold before he dies. In the forests to which he prays for pity, will he find a respite? What a tumult, what a gathering of feet is there! In glades, where only wild deer should run, armies and nations are assembling ; towering in the fluctuating crowd are phantoms that belong to departed hours. There is the great English Prince, Regent of France. chester, the princely cardinal, that died and made no sign. There is the Bishop of Beauvais, clinging to the shelter of thickets. What building is that which hands so rapid are raising? Is it a martyr's scaffold? Will they burn the child of Domrémy a second time? No: it is a tribunal that rises to the clouds; and two nations stand around it, waiting for a trial. Shall my Lord of Beauvais sit again upon the judgment-seat, and again number the hours for the innocent? Ah! no: he is the prisoner at the bar. Already all is waiting: the mighty audience is gathered, the Court is hurrying to their seats, the witnesses are arrayed, the trumpets are sounding, the judge is taking his place. Oh! but this is sudden. My lord, have you no counsel?" Coun

There is my Lord of Win

sel I have none: in heaven above, or on earth beneath, counsellor there is none now that would take a brief from me all are silent." Is it, indeed, come to this? Alas the time is short, the tumult is wondrous, the crowd stretches away into infinity, but yet I will search in it for somebody to take your brief: I know of somebody that will be your counsel. Who is this that cometh from Domrémy? Who is she in bloody coronation robes from Rheims? Who is she that cometh with blackened flesh from walking the furnaces of Rouen ? This is she, the shepherd girl, counsellor that had none for herself, whom I choose, bishop, for yours. She it is, I engage, that shall take my lord's brief. She it is, bishop, that would plead for you: yes, bishop, SHEwhen heaven and earth are silent.

THE PALIMPSEST.

You know perhaps, masculine reader, better than I can tell you, what is a Palimpsest. Possibly, you have one in your own library. But yet, for the sake of others who may not know, or may have forgotten, suffer me to explain it here, lest any female reader, who honors these papers with her notice, should tax me with explaining it once too seldom; which would be worse to bear than a simultaneous complaint from twelve proud men, that I had explained it three times too often. You therefore, fair reader, understand, that for your accommodation exclusively, I explain the meaning of this word. It is Greek; and our sex enjoys the office and privilege of standing counsel to yours, in all questions of Greek. We are, under favor, perpetual and hereditary dragomans to you. So that if, by accident you know the meaning of a Greek word, yet by courtesy to us, your counsel learned in that matter, you will always seem not to know it.

A palimpsest, then, is a membrane or roll cleansed of its manuscript by reiterated successions.

What was the reason that the Greeks and the Romans had not the advantage of printed books? The answer will be, from ninety-nine persons in a hundred, — Because the mystery of printing was not then discovered. But this is altogether a mistake. The secret of printing must have been discovered many thousands of times before it was used, or could be used. The inventive 330

powers of man are divine; and also his stupidity is divine, as Cowper so playfully illustrates in the slow development of the sofa through successive generations of immortal dulness. It took centuries of blockheads to raise a joint stool into a chair; and it required something like a miracle of genius, in the estimate of elder generations, to reveal the possibility of lengthening a chair into a chaise-longue, or a sofa. Yes, these were inventions that cost mighty throes of intellectual power. But still, as respects printing, and admirable as is the stupidity of man, it was really not quite equal to the task of evading an object which stared him in the face with so broad a gaze. It did not require an Athenian intellect to read the main secret of printing in many scores of processes which the ordinary uses of life were daily repeating. To say nothing of analogous artifices amongst various mechanic artisans, all that is essential in printing must have been known to every nation that struck coins and medals. Not, therefore, any want of a printing art, that is, of an art for multiplying impressions, but the want of a cheap material for receiving such impressions, was the obstacle to an introduction of printed books, even as early as Pisistratus. The ancients did apply printing to records of silver and gold; to marble, and many other substances cheaper than gold and silver, they did not, since each monument required a separate effort of inscription. Simply this defect it was of a cheap material for receiving impresses, which froze in its very fountains the early resources of printing.

Some twenty years ago, this view of the case was luminously expounded by Dr. Whateley, the present

Archbishop of Dublin, and with the merit, I believe, of having first suggested it. Since then, this theory has received indirect confirmation. Now, out of that original scarcity affecting all materials proper for durable books, which continued up to times comparatively modern, grew the opening for palimpsests. Naturally, when once a roll of parchment or of vellum had done its office, by propagating through a series of generations what once had possessed an interest for them, but which, under changes of opinion or of taste, had faded to their feelings or had become obsolete for their undertakings, the whole membrana or vellum skin, the two-fold product of human skill, costly material, and costly freight of thought, which it carried, drooped in value concurrently supposing that each were inalienably associated to the other. Once it had been the impress of a human mind which stamped its value upon the vellum; the vellum, though costly, had contributed but a secondary element of value to the total result. At length, however, this relation between the vehicle and its freight has gradually been undermined. The vellum, from having been the setting of the jewel, has risen at length to be the jewel itself; and the burden of thought, from having given the chief value to the vellum, has now become the chief obstacle to its value; nay, has totally extinguished its value, unless it can be dissociated from the connection. Yet, if this unlinking can be effected, then, fast as the inscription upon the membrane is sinking into rubbish, the membrane itself is reviving in its separate importance; and, from bearing a ministerial value, the vellum has come at last to absorb the whole value.