or libraries, there is anything fantastic or which moves to laughter, as oftentimes there is in the grotesque collisions of those successive themes, having no natural connection, which by pure accident have consecutively occupied the roll, yet, in our own heaven-created palimpsest, the deep memorial palimpsest of the brain, there are not and cannot be such incoherencies. The fleeting accidents of a man's life, and its external shows, may indeed be irrelate and incongruous; but the organizing principles which fuse into harmony, and gather about fixed predetermined centres, whatever heterogeneous elements life may have accumulated from without, will not permit the grandeur of human unity greatly to be violated, or its ultimate repose to be troubled, in the retrospect from dying moments, or from other great convulsions. ence. Such a convulsion is the struggle of gradual suffocation, as in drowning; and, in the original Opium Confessions, I mentioned a case of that nature communicated to me by a lady from her own childish experiThe lady is still living, though now of unusually great age; and I may mention that amongst her faults never was numbered any levity of principle, or carelessness of the most scrupulous veracity; but, on the contrary, such faults as arise from austerity, too harsh, perhaps, and gloomy, indulgent neither to others nor herself. And, at the time of relating this incident, when already very old, she had become religious to asceticism. According to my present belief, she had completed her ninth year, when, playing by the side of a solitary brook, she fell into one of its deepest pools. Eventually, but after what lapse of time nobody ever knew, she was saved from death by a farmer, who, riding in some distant lane, had seen her rise to the surface; but not until she had descended within the abyss of death, and looked into its secrets, as far, perhaps, as ever human eye can have looked that had permission to return. At a certain stage of this descent, a blow seemed to strike her, phosphoric radiance sprang forth from her eyeballs; and immediately a mighty theatre expanded within her brain. In a moment, in the twinkling of an eye, every act, every design of her past life, lived again, arraying themselves not as a succession, but as parts of a coëxistence. Such a light fell upon the whole path of her life backwards into the shades of infancy, as the light, perhaps, which wrapt the destined Apostle on his road to Damascus. that light blinded for a season; but hers poured celestial vision upon the brain, so that her consciousness became omnipresent at one moment to every feature in the infinite review. Yet This anecdote was treated sceptically at the time by some critics. But, besides that it has since been confirmed by other experience essentially the same, reported by other parties in the same circumstances, who had never heard of each other, the true point for astonishment is not the simultaneity of arrangement under which the past events of life, though in fact successive, had formed their dread line of revelation. This was but a secondary phenomenon; the deeper lay in the resurrection itself, and the possibility of resurrection, for what had so long slept in the dust. A pall, deep as oblivion, had been thrown by life over every trace of these experiences; and yet suddenly, at a silent com mand, at the signal of a blazing rocket sent up from the brain, the pall draws up, and the whole depths of the theatre are exposed. Here was the greater mystery: now this mystery is liable to no doubt; for it is repeated, and ten thousand times repeated, by opium, for those who are its martyrs. Yes, reader, countless are the mysterious hand-writings of grief or joy which have inscribed themselves. successively upon the palimpsest of your brain; and, like the annual leaves of aboriginal forests, or the undissolving snows on the Himalaya, or light falling upon light, the endless strata have covered up each other in forgetfulness. But by the hour of death, but by fever, but by the searchings of opium, all these can revive in strength. They are not dead, but sleeping. In the illustration imagined by myself, from the case of some individual palimpsest, the Grecian tragedy had seemed to be displaced, but was not displaced, by the monkish legend; and the monkish legend had seemed to be displaced, but was not displaced, by the knightly romance. In some potent convulsion of the system, all wheels back into its earliest elementary stage. The bewildering romance, light tarnished with darkness, the semifabulous legend, truth celestial mixed with human falsehoods, these fade even of themselves, as life advances. The romance has perished that the young man adored; the legend has gone that deluded the boy; but the deep, deep tragedies of infancy, as when the child's hands were unlinked forever from his mother's neck, or his lips forever from his sister's kisses, these remain lurking below all, and these lurk to the last. CONVERSATION. OUR remarks must of necessity be cursory here, so that they will not need or permit much preparation; but one distinction, which is likely to strike on some minds, as to the two different purposes of conversation, ought to be noticed, since otherwise it will seem doubtful whether we have not confounded them; or, secondly, if we have not confounded them, which of the two it is that our remarks contemplate. In speaking above of conversation, we have fixed our view on those uses of conversation which are ministerial to intellectual culture; but, in relation to the majority of men, conversation is far less valuable as an organ of intellectual culture than of social enjoyment. For one man interested in conversation as a means of advancing his studies, there are fifty men whose interest in conversation points exclusively to convivial pleasure. This, as being a more extensive function of conversation, is so far the more dignified function; whilst, on the other hand, such a purpose as direct mental improvement seems by its superior gravity to challenge the higher rank. Yet, in fact, even here the more general purpose of conversation takes precedency; for, when dedicated to the objects of festal delight, conversation rises by its tendency to the rank of a fine art. It is true that not one man in a million rises to any distinction in this art; nor, whatever France may conceit of herself, has any one nation, amongst other nations, a real precedency in this art. The artists are rare indeed; but still the art, as distinguished from the artist, may, by its difficulties, by the quality of its graces, and by the range of its possible brilliances, take as a fine art; or, at all events, according to its powers of execution, it tends to that rank; whereas the best order of conversation that is simply ministerial to a purpose of use, cannot pretend to a higher name than that of a mechanic art. But these distinctions, though they would form the grounds of a separate treatment in a regular treatise on conversation, may be practically neglected on this occasion, because the hints offered, by the generality of the terms in which they express themselves, may be applied indifferently to either class of conversation. The main diseases, indeed, which obstruct the healthy movement of conversation, recur everywhere; and alike whether the object be pleasure or profit in the free interchange of thought, almost universally that free interchange is obstructed in the very same way, by the very same defect of any controlling principle for sustaining the general rights and interests of the company, and by the same vices of selfindulgent indolence, or of callous selfishness, or of insolent vanity, in the individual talkers. Let us fall back on the recollections of our own experience. In the course of our life we have heard much of what was reputed to be the select conversation of the day, and we have heard many of those who figured at the moment as effective talkers; yet in mere sincerity, and without a vestige of misanthropic retrospect, we must say, that never once has it happened to us to come away from any display of that nature without intense disap |