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a Sunday evening, if such conjectures can be trusted, that the spark of fatal fire fell upon that train of predispositions to a brain complaint which had hitherto slumbered within her. She had been permitted to drink tea at the house of a laboring man, the father of a favorite female servant. The sun had set when she returned, in the company of this servant, through meadows reeking with exhalations after a fervent day. From that time she sickened. In such circumstances, a child, as young as myself, feels no anxieties. Looking upon medical men as people privileged, and naturally commissioned, to make war upon pain and sickness, I never had a misgiving about the result. I grieved, indeed, that my sister should lie in bed; I grieved still more to hear her moan. But all this appeared to me no more than as a night of trouble, on which the dawn would soon arise. O moment of darkness and delirium, when the elder nurse awakened me from that delusion, and launched God's thunderbolt at my heart in the assurance that my sister MUST die! Rightly it is said of utter, utter misery, that it "cannot be remembered." * Itself, as a rememberable

Blank anarchy Deaf and blind I I wisn not to recall

thing, is swallowed up in its own chaos. and confusion of mind fell upon me. was, as I reeled under the revelation. the circumstances of that time, when my agony was at its height, and hers, in another sense, was approaching. Enough it is to say that all was soon over; and the morning of that day had at last arrived which looked down upon her innocent face, sleeping the sleep from which there is no awaking, and upon me sorrowing the sorrow for which there is no consolation.

Or the day after my sister's death, whilst the sweet

* "I stood in unimaginable trance

And agony which cannot be remembered."

Speech of Alhadra, in Coleridge's Remorse.

temple of her brain was yet unviolated by human scrutiny, I formed my own scheme for seeing her once more. Not for the world would I have made this known, nor have suffered a witness to accompany me. I had never heard of feelings that take the name of "sentimental," nor dreamed of such a possibility. But grief, even in a child, hates the light, and shrinks from human eyes. The house was large enough to have two staircases; and by one of these I knew that about midday, when all would be quiet, (for the servants dined at one o'clock,) I could steal up into ner chamber. I imagine that it was about an hour after high noon when I reached the chamber door: it was locked, but the key was not taken away. Entering, I closed the door so softly, that, although it opened upon a hall which ascended through all the stories, no echo ran along the silent walls. Then, turning round, I sought my sister's face. But the bed had been moved and the back was now turned towards myself. Nothing met my eyes but one large window, wide open, through which the sun of midsummer, at midday, was showering down torrents of splendor. The weather was dry, the sky was cloudless, the bine depths seemed the express types of infinity; and it was not possible for eye to behold, or for heart to conceive, any symbols more pathetic of life and the glory of life.

Let me pause for one instant in approaching a remem. brance so affecting for my own mind, to mention, that, in the "Opium Confessions," I endeavored to explain the reason why death, other conditions remaining the same, is more profoundly affecting in summer than in other parts of the year--so far, at least, as it is liable to any modification at all from accidents of scenery or season. The reason, as 1 there suggested, lies in the antagonism between the tropical redundancy of life in summer and the frozen

sterilities of the grave. The summer we see, the grave we haunt with our thoughts; the glory is around us, the darkness is within us; and, the two coming into collision, each exalts the other into stronger relief. But, in my case, there was even a subtler reason why the summer had this intense power of vivifying the spectacle or the thoughts of death. And, recollecting it, I am struck with the truth, that far more of our deepest thoughts and feelings pass to us through perplexed combinations of concrete objects, pass to us as involutes (if I may coin that word) in compound experiences incapable of being disentangled, than ever reach us directly, and in their own abstract shapes. It had happened, that amongst our vast nursery collection of books was the Bible, illustrated with many pictures. And in long dark evenings, as my three sisters, with myself, sat by the firelight round the_guard* of our nursery, no book was so much in request among us. It ruled us and swayed us as mysteriously as music. Our younger nurse, whom we all loved, would sometimes, according to her simple powers, endeavor to explain what we found obscure. We, the children, were all constitutionally touched with pensiveness: the fitful gloom and sudden lambencies of the room by firelight suited our evening state of feelings; and they suited, also, the divine revelations of power and mysterious beauty which awed us. Above all, the story of a just man, man, and yet not man, real above all things, and yet shadowy above all things,-who had suffered the passior of death in Palestine, slept upon our minds like early dawn upon the waters. The nurse knew and explained to us the chief differences in Oriental climates; and

* "The guard.” I know not whether the word is a local one in this sense. What I mean is a sort of fender, four or five feet high, which locks up the fire from too near an approach on the part of children.

all these differences (as it happens) express themselves more or less, in varying relations to the great accidents and powers of summer. The cloudless sunlights of Syria

those seemed to argue everlasting summer; the disciples plucking the ears of corn that must be summer; but, above all, the very name of Palm Sunday (a festival in the English church) troubled me like an anthem. "Sunday!" what was that? That was the day of peace which masked another peace deeper than the heart of man can comprehend. "Palms!" what were they? That was an equivocal word; palms, in the sense of trophies, expressed the pomps of life; palms, as a product of nature, expressed the pomps of summer. Yet still even this explanation does not suffice; it was not merely by the peace and by the summer, by the deep sound of rest below all rest and of ascending glory, that I had been haunted. It was also because Jerusalem stood near to those deep images both in time and in place. The great event of Jerusalem was at hand when Palm Sunday came; and the scene of that Sunday was near in place to Jerusalem. What then was Jerusalem? Did I fancy it to be the omphalos (navel) or physical centre of the earth? Why should that affect me? Such a pretension had once been made for Jerusalem, and once for a Grecian city; and both pretensions had become ridiculous, as the figure of the planet became known. Yes; but if not of the earth, yet of mortality; for earth's tenant, Jerusalem, had now become the omphalos and absolute centre. Yet how! There, on the contrary, it was, as we infants understood, that mortality had been trampled under foot. True; but, for that very reason, there it was that mortality had opened its very gloomiest crater. There it was, indeed, that the human had risen on wings from the grave; but, for that reason, there also it was that the divine had been swallowed up by the abyss;

he lesser star could not rise before the greater should subnit to eclipse. Summer, therefore, had connected itself with death, not merely as a mode of antagonism, but also as a phenomenon brought into intricate relations with death by scriptual scenery and events.

Out of this digression, for the purpose of showing how inextricably my feelings and images of death were entangled with those of summer, as connected with Palestine and Jerusalem, let me come back to the bed chamber of my sister. From the gorgeous sunlight I turned around to the corpse. There lay the sweet childish figure; there the angel face; and, as people usually fancy, it was said in the house that no features had suffered any change. Had they not? The forehead, indeed, the serene and noble forehead, that might be the same; but the frozen eyelids, the darkness that seemed to steal from beneath them, the marble lips, the stiffening hands, laid palm to palm, as if repeating the supplications of closing anguish,

- could these be mistaken for life? Had it been so, wherefore did I not spring to those heavenly lips with tears and never-ending kisses? But so it was not. I stood checked for a moment; awe, not fear, fell upon me; and, whilst I stood, a solemn wind began to blow the saddest that ear ever heard. It was a wind that might have swept the fields of mortality for a thousand centuries. Many times since, upon summer days, when the sun is about the hottest, I have remarked the same wind arising and uttering the same hollow, solemn, Memnonian, but saintly

*

* "Memnonian." -For the sake of many readers, whose hearts may go along earnestly with a record of infant sorrow, but whose course of life has not allowed them much leisure for study, I pause to explain that the head of Memnon, in the British Museum, that sublime head which wears upon its lips a smile coextensive with all time and all space, an onian smile of gracious love and Pan-like

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