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insurrectionary yell, "Dark as midnight; " then another fe male voice chimed in melodiously, "Dark as pitch;" a so the peal continued to come round like a catch, the whole being so well concerted, and the rolling fire so well sus tained, that it was impossible to make head against it; whilst the abruptness of the interruption gave to it the protecting character of an oral "round robin," it being impossible to challenge any one in particular as the ringleader. Burke's phrase of "the swinish multitude," applied to mobs, was then in every body's mouth; and, accordingly, after my brother had recovered from his first astonishment at this audacious mutiny, he made us several swee ng bows that looked very much like tentative rehearsals of weeping fusillade, and then addressed us in a very brief speech, of which we could distinguish the words pearls and swinish multitude, but uttered in a very low key, perhaps out of some lurking consideration for the wo young strangers. We all laughed in chorus at this ¡rting salute; my brother himself condescended at last te join us; but there ended the course of lectures on natural philosophy.

As it was impossible, however, that he should remain quiet, he announced to us, that for the rest of his life he meant to dedicate himself to the intense cultivation of the

tragic drama. He got to work instantly; and very soon he had composed the first act of his "Sultan Selim;" but, in defiance of the metre, he soon changed the title to "Sultan Amurath," considering that a much fiercer name, more bewhiskered and beturbaned. It was no part of his intention that we should sit lolling on chairs. like ladies and gentleman that had paid opera prices for private boxes. He expected every one of us, he said, to pull an oar. We were to act the tragedy. But, in fact, we had many oars to pull. There were so many characters, that each of us took four at the least, and the future middy had six He.

this wicked little middy,* caused the greatest affliction to Sultan Amurath, forcing him to order the amputation of his head six several times (that is, once in every one of his six parts) during the first act. In reality, the sultan, though otherwise a decent man, was too bloody. What by the bowstring, and wha: by the cimeter, he had so thinned the population with which he commenced business, that scarcely any of the characters remained alive at the end of act the first. Sultan Amurath found himself in an awkward situation. Large arrears of work remained, and hardly any body to do it but the sultan himself. In composing act the second, the author had to proceed like Deucalion and Pyrrha, and to create an entirely new generation. Apparently this young generation, that ought to have been so good, took no warning by what had happened to their ancestors in act the first: one must conclude that they were quite as wicked, since the poor sultan had found himself reduced to order them all for execution in the course of this act the second. To the brazen age had succeeded an iron age; and the prospects were becoming sadder and sadder as the tragedy advanced. But here the author began to hesitate. He felt it hard to resist the instinct of carnage. And was it right to do so? Which of the felons whom he had cut off prematurely could pretend that a court of appeal would have reversed his sentence? But the consequences were distressing. A new set of characters in every act brought with it the necessity of a

*“Middy.” — I call him so simply to avoid confusion, and by way of anticipation; else he was too young at this time to serve in the navy. Afterwards he did so for many years, and saw every variety of service in every class of ships belonging to our navy. At one time, when yet a boy, he was captured by pirates, and compelled to sail with them; and the end of his adventurous career was, that for many a year he has been lying at the bottom of the Atlantic.

new plot; for people could not succeed to the arreais of old actions, or inherit ancient motives, like a landed estate Five crops, in fact, must be taken off the ground in each separate tragedy, amounting, in short, to five tragedies involved in one.

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Such, according to the rapid sketch which at this mo ment my memory furnishes, was the brother who now first laid open to me the gates of war. The occasion was this He had resented, with a shower of stones, an affront offered to us by an individual boy, belonging to a cotton factory for more than two years afterwards this became the leterrima causa of a skirmish or a battle as often as we passed the factory; and, unfortunately, that was twice a day on every day except Sunday. Our situation in respect to the enemy was as follows: Greenhay, a country house newly built by my father, at that time was a clear mile from the outskirts of Manchester; but in after years Manchester, throwing out the tentacula of its vast expansions, absolutely enveloped Greenhay; and, for any thing I know, the grounds and gardens which then insutated the house may have long disappeared. Being a modest mansion, which (including hot walls, offices, and gardener's house) had cost only six thousand pounds, I do not know how it should have risen to the distinction of giving name to a region of that great town; however, it has done so; * and at this time, therefore, after changes so great, it will be difficult for the habitué of that region to understand how my brother and myself could have a solitary road to traverse between Greenhay and Princess Street, then the termination, on that side, of Manchester.

*" Greenheys," with a slight variation in the spelling, is the name given to that district of which Greenhay formed the original nucleus Probably it was the solitary situation of the house which (failing any other grounds of denomination) raised it to this privilege.

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But so it was. Oxford Street, like its namesake in London was then called the Oxford Road; and during the currency of our acquaintance with it, arose the first three houses in its neighborhood; of which the third was built for the Rev. S. H., one of our guardians, for whom his friends had also built the Church of St. Peter's bowshot from the house. At present, however, he resided in Salford, nearly two miles from Greennay; and to him we went over daily, for the benefit of his classical instructions. One sole cotton factory had then risen along the line of Oxford Street; and this was close to a bridge, which also was a new creation; for previously all passengers to Manchester went round by Garrat. This factory became to us the officina gentium, from which swarmed forth those Goths and Vandals that continually threatened our steps; and this bridge became the eternal arena of combat, we taking good care to be on the right side of the bridge for retreat, i. e., on the town side, or the country side, accordingly as we were going out in the morning, or returning in the afternoon. Stones were the implements of warfare; and by continual practice both parties became expert in throwing them.

The origin of the feud it is scarcely requisite to rehearse, since the particular accident which began it was not the true efficient cause of our long warfare, but simply the casual occasion. The cause lay in our aristocratic dress. As children of an opulent family, where all provisions were liberal, and all appointments elegant, we were uniformly well dressed; and, in particular, we wore trousers, (at that time unheard of, except among sailors,) and we also wore Hessian boots a crime that could not be forgiven in the Lancashire of that day, because it expressed the double offence of being aristocratic and being outlandish. We were aristocrats and it was vain to deny it;

could we deny our boots? whilst our antagonists, if not absolutely sans culottes, were slovenly and forlorn in their dress, often unwashed, with hair totally neglected, and always covered with flakes of cotton. Jacobins they were not, as regarded any sympathy wtth the Jacobinism that then desolated France; for, on the contrary, they detested every thing French, and answered with brotherly signals to the cry of "Church and king," or "King and constitution." But, for all that, as they were perfectly independent, getting very high wages, and these wages in a mode of industry that was then taking vast strides ahead, they contrived to reconcile this patriotic anti-Jacobinism with a personal Jacobinism of that sort which is native to the heart ɔf man, who is by natural impulse (and not without a root of nobility, though also of base envy) impatient of inequality, and submits to it only through a sense of its necessity, or under a long experience of its benefits.

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It was on an early day of our new tyrocinium, or perhaps on the very first, that, as we passed the bridge, a boy happening to issue from the factory sang out to us derisively, Hollo, bucks!" In this the reader may fail to perceive any atrocious insult commensurate to the long war which followed. But the reader is wrong. The word "dandies," † which was what the villain meant, had not then been born, so that he could not have called us by that name, unless through the spirit of prophecy. Buck was the nearest word at hand in his Manchester vocabulary: he gave all he could, and let us dream the rest. But in the next moment he discovered our boots, and he consummated his crime by

Factory." Such was the designation technically at that time. At present, I believe that a building of that class would be called a 'mill."

†This word, however, exists in Jack-a landy a very old English word. But what does that mean?

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