The Works of Dugald Stewart: Philosophical essaysHilliard and Brown, 1829 |
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Side 172
... poets than Harbinger ; more particularly by Milton , whose Paradise Lost has ren- dered even the organical sound pleasing to the fancy . " And now of love they treat , till th ' evening star , Love's harbinger , appeared . " How ...
... poets than Harbinger ; more particularly by Milton , whose Paradise Lost has ren- dered even the organical sound pleasing to the fancy . " And now of love they treat , till th ' evening star , Love's harbinger , appeared . " How ...
Side 182
... poet ; of the land- scape - gardener ; of the farmer ; of the civil or the military engineer ; of the geologi- cal theorist , & c . & c . & c . † What Mr. Addison has called the Pleasures of Imagination , might be denom- inated , more ...
... poet ; of the land- scape - gardener ; of the farmer ; of the civil or the military engineer ; of the geologi- cal theorist , & c . & c . & c . † What Mr. Addison has called the Pleasures of Imagination , might be denom- inated , more ...
Side 192
... poet or the orator may derive from them , the most accurate analysis of the different subjects thus brought into con- tact , will never enable the philosopher to form one new conclusion concerning the nature either of one or of the ...
... poet or the orator may derive from them , the most accurate analysis of the different subjects thus brought into con- tact , will never enable the philosopher to form one new conclusion concerning the nature either of one or of the ...
Side 197
... poets , who are always addressing themselves to the im- agination , borrowing more of their epithets from colors than from any other topic . " * From the admiration of colors , the eye gradually ad- vances to that of forms ; beginning ...
... poets , who are always addressing themselves to the im- agination , borrowing more of their epithets from colors than from any other topic . " * From the admiration of colors , the eye gradually ad- vances to that of forms ; beginning ...
Side 198
... poet , as the most comprehensive which the language afforded , to describe the countless charms of nature , in the most beautiful season of the year : " Et nunc omnis ager , nunc omnis parturit arbos ; Nunc frondent sylvæ , nunc ...
... poet , as the most comprehensive which the language afforded , to describe the countless charms of nature , in the most beautiful season of the year : " Et nunc omnis ager , nunc omnis parturit arbos ; Nunc frondent sylvæ , nunc ...
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agreeable altogether analogous appear applied argument Aristippus Aristotle association attention Burke cerning chiefly Cicero circumstances colors combination common composition conceive concerning conclusions Condillac connexion consequence considered convey criticism Descartes doctrine effect emotion employed Encyclopédie epithet Essay etymology existence experience expression external faculties fancy farther feelings former genius habits Helvetius human mind ical ideal theory ideas illustration imagination impressions innate ideas instances intellectual judgment knowledge language Leibnitz literal Locke Locke's Longinus Malebranche material matter meaning ment metaphorical metaphysical moral nature nihil notions objects observation occasion opinion origin particular passage peculiar perception phenomena philosophical Philosophy of Mind phrase Picturesque Plato pleasing pleasures poet present principle produced quæ qualities readers reason Reid remark respect rience seems sensation sense sensibility sion speak species speculations sublime supposed taste theory thing thought tion truth various word beauty writers
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Side 125 - Let us then suppose the mind to be, as we say, white paper, void of all characters, without any ideas; how comes it to be furnished? Whence comes it by that vast store, which the busy and boundless fancy of man has painted on it with an almost endless variety? Whence has it all the materials of reason and knowledge? To this I answer, in one word, from EXPERIENCE; in that all our knowledge is founded, and from that it ultimately derives itself.
Side 411 - I doubt not, but if we could trace them to their sources, we should find, in all languages, the names, which stand for things that fall not under our senses, to have had their first rise from sensible ideas.
Side 334 - The mole's dim curtain, and the lynx's beam: Of smell, the headlong lioness between, And hound sagacious on the tainted green; Of hearing, from the life that fills the flood, To that which warbles through the vernal •wood; The spider's touch, how exquisitely fine! Feels at each thread, and lives along the line...
Side 60 - ... about the ideas it has got ; which operations, when the soul comes to reflect on and consider, do furnish the understanding with another set of ideas which could not be had from things without ; and such are perception, thinking, doubting, believing, reasoning, knowing, willing, and all the different actings of our own minds ; which we, being conscious of, and observing in ourselves, do from these receive into our understandings as distinct ideas, as we do from bodies affecting our senses.
Side 313 - Or let my lamp at midnight hour Be seen in some high lonely tower, Where I may oft outwatch the Bear...
Side 400 - IT is evident to any one who takes a survey of the objects of human knowledge, that they are either ideas actually imprinted on the senses; or else such as are perceived by attending to the passions and operations of the mind; or lastly, ideas formed by help of memory and imagination— either compounding, dividing, or barely representing those originally perceived in the aforesaid ways.
Side 72 - It is true, indeed, that there is nothing in the intellect which was not previously in the sense, — except the intellect itself.
Side 275 - On a rock, whose haughty brow Frowns o'er old Conway's foaming flood, Robed in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard and hoary hair Streamed like a meteor to the troubled air;) And with a master's hand and prophet's fire Struck the deep sorrows of his lyre: 'Hark, how each giant oak and desert cave Sighs to the torrent's awful voice beneath!
Side 289 - Awake, /Eolian lyre, awake, And give to rapture all thy trembling strings. From Helicon's harmonious springs A thousand rills their mazy progress take ; The laughing flowers, that round them blow, Drink life and fragrance as they flow. Now the rich stream of music winds along, Deep, majestic, smooth, and strong, Through verdant vales, and Ceres...
Side 66 - Light and colours, heat and cold, extension and figures, in a word the things we see and feel, what are they but so many sensations, notions, ideas or impressions on the sense ; and is it possible to separate, even in thought, any of these from perception ? For my part I might as easily divide a thing from itself.