R THE DEATH OF PAN. FROM the Ionian sea a voice came sighing- Her fairy peopled vales and haunted fountainsAlong her glens, and grots, and antique hills, And o'er her vine-hung, purple tinted mountains, Of all his satyrs? Died he where Unto his favorite haunts did mirth return: Was heard the song-voice of the god of gladness: His tuneful reed its numbers poured no more Where Dian and her oriads roved in sadness; The soul of love and melody had fled Far from Arcadie-the great Pan was dead! CLEOPATRA. ENCHANTRESS queen! whose empire of the heart [ures? His eye is cold-wo for thy grief unspoken! Yet thy proud features wear a mask, which tells How true thou art to thy commanding nature: Once more, in all thy wild, bewildering spells, [ture; Thou standest robed and crowned, imperial crea Thy royal barge is on the sunny sea- MY MOTHER. My mother oft as thy dear name I mention, hear....... But once, kind mother, might this aching forehead Feel the soft pressure of thy gentle handCould this poor heart, that so hath pined and sorrowed, Yet once more feel its pulse of hope expand At thy dear presence-oh, mother, might this be, I could die blessing God, for one last look at thee! For one last word-alas! that I should ever E'en carelessly have caused thy heart a pain! How oft, amid my late life's "fitful fever," Thy many acts of kindness rise againUnheeded then, but well remembered now: Oh for thy blessing said once more above my brow! Fond wish, but vain! and I am weak to smother The burden of her heart above this trembling dust. My spirit's inmost vision, to see clearer Through Death's dim veil the pathway to the sky! Mother beloved! oh let this comfort thee, That in yon blissful heaven shall no more partings be. IV. TASSO. ABOVE thy golden verse I bent me late, SONNETS. I. MILTON. LEARNED and illustrious of all poets thou, The weight of years unbent-thou, on whose brow Where waved the white wings of the cherubim; V. TO THE AUTHORESS OF THE SINLESS CHILD. OFT as I bend o'er thy sweet "sinless child," Of grace ethereal and beauty mild: I picture thee with soft and gleamy hair, I ne'er have looked upon thy form of face, I know but of the Intellectual there, II. DRYDEN. NoT dearer to the scholar's eye than mine, It taketh root, until the goodly tree Of poesy puts forth green branch and bough, [gloom III. ADDISON. THOU, too, art worthy of all praise, whose pen, "In thoughts that breathe, and words that burn," did shed A noontide glory over Milton's headHe, "prince of poets"—thou, the prince of men: Blessings on thee, and on the honored dead! How dost thou charm for us the touching story Of the lost children in the gloomy woodHaunting dim memory with the early glory That in youth's golden years our hearts imbued. From the fine world of olden poetry, Lifelike and fresh, thou bringest forth again The gallant heroes of an earlier reign, And blend them in our minds with thoughts of thee, Whose name is ever shrined in old-world memory. VI. TO THE AUTHORESS OF THE SINLESS CHILD. (CONTINUED.) LADY! less easy were it now to tell How the soft radiance of thy dove-like eyes Won me to love thee, by its mingled spell Of tenderness and graceful majesty— And how thy voice, the "ever soft and low," Like music strains returns to haunt me now. Thine, too, is the far higher charm, which hath Its pure source in the spirit depth below: For thou hast dallied in no idle path, But, in the free aspiring of thy soul, Hast gloriously disproved the common faith, That man alone may reach the mental goal. Oh, lady dear! still on thine honored head [shed. Blessings of heaven and earth a thousand fold be VII. THE PAST. IN her strange, shadowy coronet she weareth VIII. DIEM PERDIDI. When the Emperor Titus remembered, at night, that he had done nothing beneficial during the day, he used to exclaim, 'I have lost a day!' O GREATLY wise! thou of the crown and rod, "Diem Perdidi" was the thought that stirred Thy conscious soul, when night her curtain spread. Oh emperor, greatly wise! could we so deal With misspent hours, and win thy faith sublime, We should not be (mid the soul's mute appeal) Such triflers with the solemn trust of Time! IX., X. BOOKS. "Of making many books there is no end; and much study is a weariness of the flesh."-Solomon. "Or making many books there is no end," Eager and anxious still still doth he toil (Making the night familiar as the day) To find the clew to loose the ravelled coilTo pierce the depth of things that hidden lie The oil of life consumeth: this he knoweth, Yet, with a feverish brow and streaming eye, He seeks to find-and patiently bestoweth His midnight laborings in Wisdom's mine, [shine. To win for earth the gems that midst its darkness "Much study is a weariness." The sage Who gave his mind, to seek and search until He knew all wisdom, found that on the page Knowledge and Grief were vow'd companions still. And so the students of a later day Sit down among the records of old Time To hold high commune with the thoughts sublime Of minds long gone; so they too pass away, And leave us what? their course, to toil, reflect, To feel the thorn pierce through our gathered flowers, Still midst the leaves the earth-worm to detect. And this is knowledge: wisdom is not ours. Oh! well the Preacher bids his son admonished be, That all the days of man's short life are vanity! THE PICTURE OF A DEPARTED POETESS. Fills the dream-haunted sadness of thine eyes; Sweet poetess! thou surely didst inherit Thy gifts celestial from the upper skies. Clear on the expansion of that snow-white forehead Sits intellectual beauty, meekly throned; [row O meek and lonely wildwood flowers! Ye are welcome, as light amid the gloom That hangs upon my weary hours. Here by my lowly couch of languishment and sorrow Your station take, that I may from your presence borLessons of hope, and lowly trust, That He whose touch revived your bloom Hath the same power o'er this poor dust, To raise it from the shadowy tomb! Thanks for your presence! for ye bring Back to the aching heart and eye Bright visions of the festal Spring, Its blossoms, birds, and azure sky. [tranged, Now, far from each green haunt and sunny nook esFading and faint, I lie; yet in my heart unchanged Glows the same love for you, fair flowers, As when my unchained footsteps trod Lightly amidst your forest bowers, And plucked ye from the dewy sod! And THOU, who gavest these grateful flowers, I bless thee for thy thought of me! And that through long and painful hours My vigils have been shared by thee. [faltered, I bless thee for the kindness and care which ne'er have EMELINE S. SMITH. MISS EMELINE SHERMAN, now MRS. SMITH, was born in New Baltimore, Greene county, New York, and in 1836 was married to Mr. James M. Smith, of the New York bar. Mrs. Smith has been a contributor to several of the leading literary journals, and in 1847 she published a volume entitled The Fairy's | Search, and other Poems, in which she has evinced considerable fancy, and a poetical vein of sentiment. Her distinguishing characteristics are a religious delight in nature, and a contentment with home affections and pleasures, which in one form or another are the materiel of the finest poetry of women. HYMN TO THE DEITY, IN THE CONTEMPLATION OF NATURE. THOU Giver of all earthly good- And breathes in every flower: When mid thy works we stray! In scenes with tumult rife, Where worldly cares or pleasures claim Too large a share of life; But not in Nature's sweet domain, Where everything we see, From loftiest mount to lowliest flower, Is eloquent of thee. Where waves lift up their tuneful voice, And solemn anthems chime; Beneath the city's gilded domes, Thine earthly mansions fair, But in that grander temple, reared Our thoughts, like grateful vassals, give Our souls in adoration bow, And mutely reverence Thee. WE'VE HAD OUR SHARE OF BLISS, BELOVED. WE'VE had our share of bliss, beloved, If sorrows come, from vanished joy As the departed sun bestows Upon the queen of night: And thus, by Memory's moonbeams cheered, Hope's sun we shall not miss, But tread life's path as gay as when We had our share of bliss. 'Tis true our sky hath had its clouds, Our spring its stormy hoursWhen we have mourned, as all must mourn, O'er blighted buds and flowers; And true, our bark hath sometimes neared When gloomy looked the waves around, But Love was ever at the helm He could not go amiss, So long as two fond spirits sang, A host of ills at bay. Our happy hearts, like tireless bees, S. MARGARET FULLER. MISS MARGARET FULLER is best known as a prose writer. Her Woman in the Nineteenth Century, Papers on Literature and Art, Summer on the Lakes, etc., entitle her undoubt edly to be ranked among the first authors of her sex. I have recently re-read these works, incited to do so by the apparent candor and decided sagacity displayed in the Letters she has written to The Tribune during her residence in Europe; and I confess some change GOVERNOR EVERETT RECEIVING THE INDIAN CHIEFS, NOVEMBER, 1837. WHO says that poesy is on the wane, And that the Muses tune their lyres in vain ? Mid all the treasures of romantic story, When thought was fresh and fancy in her glory, Has ever Art found out a richer theme, More dark a shadow, or more soft a gleam, Than fall upon the scene, sketched carelessly, In the newspaper column of to-day? American romance is somewhat stale. Talk of the hatchet, and the faces pale, Wampum and calumets, and forests dreary, Once so attractive, now begins to weary. Uncas and Magawisca please us still— Unreal, yet idealized with skill; But every poetaster, scribbling witling, From the majestic oak his stylus whittling, Has helped to tire us, and to make us fear The monotone in which so much we hear Of" stoics of the wood," and "men without a tear." Yet Nature, ever buoyant, ever young, If let alone, will sing as erst she sung: The course of circumstance gives back again The picturesque, erewhile pursued in vain— Shows us the fount of romance is not wasted, The lights and shades of contrast not exhausted. Shorn of his strength, the Samson now must sue For fragments from the feast his fathers gave; The Indian dare not claim what is his due, But as a boon his heritage must crave: His stately form shall soon be seen no more Through all his father's land, th' Atlantic shore; Beneath the sun, to us so kind, they meltMore heavily each day our rule is felt: The tale is old-we do as mortals must; Might makes right here, but God and Time are just. So near the drama hastens to its close, On this last scene awhile your eyes repose: The polished Greek and Scythian meet again, The ancient life is lived by modern men of opinion in her favor since writing the article upon her in The Prose Writers of America. Few can boast so wide a range of literary culture; perhaps none write so well with as much facility; and there is marked individuality in all her productions. As a poet, we have few illustrations of her abilities; but what we have are equal to her reputation. She is said to have written much more poetry than she has published. The savage through our busy cities walks- All has been seen-dock, railroad, and canal, Fort, market, bridge, college, and arsenal, Asylum, hospital, and cotton-mill. The theatre, the lighthouse, and the jail. may do some good. A well dressed mob have thronged the sight to greet, And motley figures throng the spacious street; Majestical and calm through all they stride, Wearing the blanket with a monarch's pride; The gazers stare and shrug, but can't deny Their noble forms and blameless symmetry. If the Great Spirit their morale has slighted, And wigwam smoke their mental culture blighted, Yet the physique, at least, perfection reaches, In wilds where neither Combe nor Spurzheim teaches Where whispering trees invite man to the chase, And bounding deer allure him to the race. Would thou hadst seen it! That dark, stately Whose ancestors enjoyed all this fair land, [band, Whence they, by force or fraud, were made to flee, Are brought, the white man's victory to see. |