JOHN BYROM. 1691-1763. THE Phoebe of Byrom's pastoral was Miss Joanna Bentley, daughter of Dr. Richard Bentley, the celebrated master of Trinity College, of which Byrom was a student. He is said to have written the poem, not so much for love of the lady, as from a desire to attract the notice of her father. It was first published in "THE SPECTATOR," for October 6th, 1714. Miss Bentley afterwards married Dr. Dennison Cumberland, Bishop of Clonfert, in Ireland: Cumberland, the dramatist, was her son. Byrom married his cousin, Elizabeth, against the wishes of her father, a rich mercer of Manchester, who refused to do anything for the young couple. They were reduced to sad straits, and Byrom was forced for a time to teach short-hand writing for a living. A PASTORAL. My time, O ye Muses, was happily spent, With such a companion, to tend a few sheep, But now I so cross, and so peevish am grown, So strangely uneasy, as never was known. My fair one is gone, and my joys are all drowned, The fountain that wont to run sweetly along, And still, as it murmurs, do nothing but chide; Peace there with your bubbling, and hear me complain. My lambkins around me would oftentimes play, How pleasant their sporting, how happy the time, When Spring, Love, and Beauty, were all in their prime! But now, in their frolics, when by me they pass, I fling at their fleeces a handful of grass; Be still then, I cry, for it makes me quite mad, My dog I was ever well pleased to see When walking with Phoebe, what sights have I seen! "T was naught but the magic, I find, of her eyes, Made so many beautiful prospects arise. Sweet music went with us both all the wood through, Rose, what is become of thy delicate hue? How slowly Time creeps, till my Phoebe return! I could breathe on his wings, and 't would melt down the lead. And rest so much longer for 't when she is here. Ah, Colin! old Time is full of delay, Nor will budge one foot faster for all thou canst say. Will no pitying power, that hears me complain, Or cure my disquiet, or soften my pain? To be cured, thou must, Colin, thy passion remove; No, deity, bid the dear nymph to return, NICHOLAS ROWE. 1673-1718. ROWE and Addison were both suitors for the hand of the countess-dowager of Warwick, and it was on the occasion of her marriage with the latter (Aug. 2, 1716,) that "COLIN'S COMPLAINT" was written. Addison became acquainted with the noble dame by being tutor to her son. "He formed," said Tonson, "the design of getting that lady from the time when he was first taken into the family." His courtship was long and anxious; but as his reputation and influence increased, his courage rose, and she was finally persuaded to marry him, "on terms very much like those on which a Turkish princess is espoused: 'Daughter, I give thee this man for thy slave.'" She remembered her rank on all occasions, and treated poor Addison without ceremony, driving him, I have somewhere read, to the bottle for consolation. He died in 1719, a year after his discomfited rival, Rowe, who took the marriage very much to heart-on paper. Rowe was twice married. COLIN'S COMPLAINT. Despairing beside a clear stream, The wind that blew over the plain, To his sighs with a sigh did reply; "Alas, silly swain that I was !” Thus sadly complaining, he cried, "When first I beheld that fair face, 'T were better by far I had died. She talked, and I blessed the dear tongue; When she smiled, 't was a pleasure too great: I listened, and cried, when she sung, Was nightingale ever so sweet? "How foolish was I to believe She could doat on so lowly a clown; Or that her fond heart would not grieve, To forsake the fine folk of the town! To think that a beauty so gay, So kind and so constant would prove; "What though I have skill to complain, Though the Muses my temples have crowned; What though, when they hear my soft strain, The virgins sit weeping around? Ah, Colin, thy hopes are in vain, Thy pipe and thy laurel resign; Thy false one inclines to a swain Whose music is sweeter than thine! "And you, my companions so dear, Who sorrow to see me betrayed, Whatever I suffer, forbear, Forbear to accuse the false maid. Though through the wide world I should range, "Tis in vain from my fortune to fly; "T was hers to be false, and to change, 'Tis mine to be constant and die. "If while my hard fate I sustain, In her breast any pity is found, Let her come with the nymphs of the plain, |