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encouragement to conspiracy and treason. These were not wanting three memorable plots against his life were defeated; one of them (that of Maternus, the robber) accompanied with romantic circumstances,4 which we have narrated in an earlier paper of this series. Another was set on foot by his eldest sister, Lucilla; nor did her close relationship protect her from capital punishment. In that instance, the immediate agent of her purposes, Quintianus, a young man, of signal resolution and daring, who had attempted to stab the emperor at the entrance of the amphitheatre, though baffled in his purpose, uttered a word which rang continually in the ears of Commodus, and poisoned his peace of mind for ever. His vengeance, perhaps, was thus more effectually accomplished than if he had at once dismissed his victim from life. "The senate," he had said, "sends thee this through me:" and henceforward the senate was the object of unslumbering suspicions to the emperor. Yet the public suspicions settled upon a different quarter; and a very memorable scene must have pointed his own in the same direction, supposing that he had previously been blind to his danger.

On a day of great solemnity, when Rome had assembled her myriads in the amphitheatre, just at the very moment when the nobles, the magistrates, the priests, all, in short, that was venerable or conse

crated in the State, with the Imperator in their centre, had taken their seats, and were waiting for the opening of the shows, a stranger, in the robe of a philosopher, bearing a staff in his hand, (which also was the professional ensign 45 of a philosopher,) stepped forward, and, by the waving of his hand, challenged the attention of Commodus. Deep silence ensued: upon which, in a few words, ominous to the ear as the handwriting on the wall to the eye of Belshazzar, the stranger unfolded to Commodus the instant peril which menaced both his life and his throne, from his great servant Perennius. What personal purpose of benefit to himself this stranger might have connected with his public warning, or by whom he might have been suborned, was never discovered; for he was instantly arrested by the agents of the great officer whom he had denounced, dragged away to punishment, and put to a cruel death. Commodus dissembled his panic for the present; but soon after, having received undeniable proofs (as is alleged) of the treason imputed to Perennius, in the shape of a coin which had been struck by his son, he caused the father to be assassinated; and, on the same day, by means of forged letters, before this news could reach the son, who commanded the Illyrian armies, he lured him also to destruction, under the belief that he was obeying the summons of his father to a private interview on the Italian frontier.

So perished those enemies, if enemies they really were. But to these tragedies succeeded others far more comprehensive in their mischief, and in more continuous succession than is recorded upon any other page of universal history. Rome was ravaged by a pestilence by a famine by riots amounting to a

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by a dreadful massacre of the unarmed mobby shocks of earthquake-and, finally, by a fire which consumed the national bank, 46 and the most sumptuous buildings of the city. To these horrors, with a rapidity characteristic of the Roman depravity, and possible only under the most extensive demoralization of the public mind, succeeded festivals of gorgeous pomp, and amphitheatrical exhibitions, upon a scale of grandeur absolutely unparalleled by all former attempts. Then were beheld, and familiarized to the eyes of the Roman mob-to children—and to women, animals as yet known to us, says Herodian, only in pictures. Whatever strange or rare animal could be drawn from the depths of India, from Siam and Pegu, or from the unvisited nooks of Ethiopia, were now brought together as subjects for the archery of the universal lord.47 Invitations (and the invitations of kings are commands) had been scattered on this occasion profusely; not, as heretofore, to individuals or to families — but, as was in proportion to the occasion

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where an emperor was the chief performer, to nations.

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People were summoned by circles of longitude and latitude to come and see [θεασάμενοι ἃ μη πρότερον μητε ἐωρμκεσαν μητε ήκηκοεισαν — things that eye had not seen nor ear heard of] the specious miracles of nature brought together from arctic and from tropic deserts, putting forth their strength, their speed, or their beauty, and glorifying by their deaths the matchless hand of the Roman king. There was beheld the lion from Bilidulgerid, and the leopard from Hindostan - the rein-deer from polar latitudes the antelope from the Zaara and the leigh, or gigantic stag, from Britain. Thither came the buffalo and the bison, the white bull of Northumberland and Galloway, the unicorn from the regions of Nepaul or Thibet, the rhinoceros and the river-horse from Senegal, with the elephant of Ceylon or Siam. The ostrich and the cameleopard, the wild ass and the zebra, the chamois and the ibex of Angora, — all brought their tributes of beauty or deformity to these vast aceldamas of Rome: their savage voices ascended in tumultuous uproar to the chambers of the capitol: a million of spectators sat round them standing in the centre was a single statuesque, figure the imperial sagittary, beautiful as an Antinous, and majestic as a Jupiter, whose hand was so steady and whose eye so true, that he was never known to miss, and who, in this accomplishment at least, was so absolute in his excellence, that, as we are

assured by a writer not disposed to flatter him, the very foremost of the Parthian archers and of the Mauritanian lancers [Παρθυαίων οἱ τοξικην ἀκριβέντες, και Μαυ ρεσιων οἱ ἀκοντίζειν άριςοι] were not able to contend with him. Juvenal, in a well known passage upon the disproportionate endings of illustrious careers, drawing one of his examples from Marius, says, that he ought, for his own glory, and to make his end correspondent to his life, to have died at the moment when he descended from his triumphal chariot at the portals of the capitol. And of Commodus, in like manner, it may be affirmed, that, had he died in the exercise of his peculiar art, with a hecatomb of victims rendering homage to his miraculous skill, by the regularity of the files which they presented, as they lay stretched out dying or dead upon the arena, - he would have left a splendid and a characteristic impression of himself upon that nation of spectators who had witnessed his performance. He was the noblest artist in his own profession that the world had seen in archery he was the Robin Hood of Rome; he was in the very meridian of his youth; and he was the most beautiful man of his own times [των καθ' ἑαυτον ἀνθρωπων καλλει ευπρεπεστατος.] He would therefore have looked the part admirably of the dying gladiator; and he would have died in his natural vocation. But it was ordered otherwise; his death was destined to private malice, and

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