Dumb, spiritless, benumb'd; till Death at last
Gracious attends, and kindly brings relief.

Or, if outrageous grown, behold, alas!
A yet more dreadful scene; his glaring eyes
Redden with fury, like some angry boar
Churning he foams; and on his back erect
His pointed bristles rise; his tail incurv'd
He drops, and with harsh broken howlings rends
The poison-tainted air; with rough hoarse voice
Incessant bays, and snuffs the infectious breeze;
This way and that he stares aghast, and starts
At his own shade: jealous, as if he deem'd
The world his foes. If haply towards the stream
He cast his roving eye, cold horror chills
His soul; averse he flies, trembling, appall'd.
Now frantic to the kennel's utmost verge
Raving he runs, and deals destruction round.
The pack fly diverse; for whate'er he meets
Vengeful he bites, and every bite is death.

If now perchance through the weak fence escap'd
Far up the wind he roves, with open mouth
Inhales the cooling breeze; nor man, nor beast,
He spares implacable. The hunter-horse,
Once kind associate of his sylvan toils,
(Who haply now without the kennel's mound
Crops the rank mead, and listening hears with joy
The cheering cry, that morn and eve salutes
His raptur'd sense,) a wretched victim falls.
Unhappy quadruped! no more, alas!
Shall thy fond master with his voice applaud
Thy gentleness, thy speed; or with his hand
Stroke thy soft dappled sides, as he each day
Visits thy stall, well pleas'd; no more shalt thou
With sprightly neighings, to the winding horn,
And the loud opening pack in concert join'd,
Glad his proud heart. For oh! the secret wound
Rankling inflames, he bites the ground, and dies!
Hence to the village with pernicious haste
Baleful he bends his course: the village flies
Alarm'd; the tender mother in her arms
Hugs close the trembling babe; the doors are barr'd,
And flying curs, by native instinct taught,
Shun the contagious bane; the rustic bands
Hurry to arms, the rude militia scize

Whate'er at hand they find; clubs, forks, or guns,
From every quarter charge the furious foe,
In wild disorder, and uncouth array:

The wound; spare not thy flesh, nor dread th' event:
Vulcan shall save when Esculapius fails.

Here should the knowing Muse recount the means
To stop this growing plague. And here, alas!
Each hand presents a sovereign cure, and boasts
Infallibility, but boasts in vain.

On this depend, each to his separate seat
Confine, in fetters bound; give each his mess
Apart, his range in open air; and then
If deadly symptoms to thy grief appear,
Devote the wretch, and let him greatly fall,
A generous victim for the public weal.

Sing, philosophic Muse, the dire effects
Of this contagious bite on hapless man.
The rustic swains, by long tradition taught
Of leeches old, as soon as they perceive
The bite impress'd, to the sea-coasts repair.
Plung'd in the briny flood, th' unhappy youth
Now journeys home secure; but soon shall wish
The seas as yet had cover'd him beneath
The foaming surge, full many a fathom deep.
A fate more dismal, and superior ills,
Hang o'er his head devoted. When the Moon,
Closing her monthly round, returns again
To glad the night; or when full-orb'd she shines
High in the vault of Heaven; the lurking pest
Begins the dire assault. The poisonous foam
Through the deep wound instill'd with hostile rage,
And all its fiery particles saline,

Invades th' arterial fluid: whose red waves
Tempestuous heave, and their cohesion broke,
Fermenting boil; intestine war ensues,
And order to confusion turns embroil'd.
Now the distended vessels scarce contain
The wild uproar, but press each weaker part
Unable to resist: the tender brain

And stomach suffer most; convulsions shake
His trembling nerves, and wandering pungent pains
Pinch sore the sleepless wretch; his fluttering pulse
Oft intermits; pensive, and sad, he mourns
His cruel fate, and to his weeping friends
Laments in vain; to hasty anger prone,
Resents each slight offence, walks with quick step.
And wildly stares; at last with boundless sway
The tyrant frenzy reigns: for as the dog
(Whose fatal bite convey'd th' infectious bane)
Raving he foams, and howls, and barks, and bites;

Till, now with wounds on wounds oppress'd and Like agitations in his boiling blood

gor'd,

At one short poisonous gasp he breathes his last.
Hence to the kennel, Muse, return, and view
With heavy heart that hospital of woe;
Where Horror stalks at large! insatiate Death
Sits growling o'er his prey: each hour presents
A different scene of ruin and distress.
How busy art thou, Fate! and how severe
Thy pointed wrath! the dying and the dead
Promiscuous lie; o'er these the living fight
In one eternal broil; not conscious why
Nor yet with whom. So drunkards, in their cups,
Spare not their friends, while senseless squabble
reigns.

Huntsman! it much behoves thee to avoid
The perilous debate! Ah! rouse up all
Thy vigilance, and tread the treacherous ground
With careful step. Thy fires unquench'd preserve,
As erst the vestal flames; the pointed steel
In the hot embers hide; and if surpris'd
Thou feel'st the deadly bite, quick urge it home
Into the recent sore, and cauterize

See there distress'd he lies! parch'd up with thirst.
But dares not drink. Till now at last his soul
Trembling escapes, her noisome dungeon leaves,
And to some purer region wings away.

One labor yet remains, celestial Maid!
Another element demands thy song.
No more o'er craggy steep, through coverts thick
With pointed thorn, and briers intricate,

Urge on with horn and voice the painful pack:
But skim with wanton wing the irriguous vale,
Where winding streams amid the flowery meads
Perpetual glide along; and undermine
The cavern'd banks, by the tenacious roots
Of hoary willows arch'd; gloomy retreat
Of the bright scaly kind; where they at will
On the green watery reed their pasture graze.

That with its hoary head incurv'd salutes
The passing wave, must be the tyrant's fort,
And dread abode. How these impatient climb,
While others at the root incessant bay!
They put him down. See, there he drives along!
Th' ascending bubbles mark his gloomy way.
Quick fix the nets, and cut off his retreat
Into the sheltering deeps. Ah! there he vents!
The pack plunge headlong, and protended spears
Menace destruction: while the troubled surge
Indignant foams, and all the scaly kind,
Affrighted, hide their heads. Wild tumult reigns,
And loud uproar. Ah, there once more he vents!
See, that bold hound has seiz'd him! down they sink,
Together lost: but soon shall he repent
His rash assault. See, there escap'd, he flies
Half-drown'd, and clambers up the slippery bank
With ooze and blood distain'd. Of all the brutes,
Whether by Nature form'd, or by long use,
This artful diver best can bear the want
Of vital air. Unequal is the fight,
Beneath the whelming element. Yet there
He lives not long; but respiration needs
At proper intervals. Again he vents;
Again the crowd attack. That spear has pierc'd
His neck; the crimson waves confess the wound.
Fixt is the bearded lance, unwelcome guest,
Where'er he flies; with him it sinks beneath,
With him it mounts; sure guide to every foe.
Inly he groans; nor can his tender wound
Bear the cold stream. Lo! to yon sedgy bank
He creeps disconsolate: his numerous foes
Surround him, hounds, and men. Pierc'd through

ALEXANDER POPE.

ALEXANDER POPE, an English poet of great emi- ample remuneration for his labor. This noble work nence, was born in London in 1688. His father, was published in separate volumes, each containwho appears to have acquired wealth by trade, was ing four books; and the produce of the subscripa Roman Catholic, and being disaffected to the tion enabled him to take that house at Twickpolitics of King William, he retired to Binfield, in enham which he made so famous by his residence Windsor Forest, where he purchased a small house and decorations. He brought hither his father and with some acres of land, and lived frugally upon mother; of whom the first parent died two years the fortune he had saved. Alexander, who was from afterwards. The second long survived, to be cominfancy of a delicate habit of body, after learning to forted by the truly filial attentions of her son. About read and write at home, was placed about his eighth this period he probably wrote his Epistle from year under the care of a Romish priest, who taught "Eloisa to Abelard," partly founded upon the exhim the rudiments of Latin and Greek. His nat- tant letters of these distinguished persons. He has ural fondness for books was indulged about this period by Ogilby's translation of Homer, and Sandy's of Ovid's Metamorphoses, which gave him so much delight, that they may be said to have made him a poet. He pursued his studies under different priests, to whom he was consigned. At length he became the director of his own pursuits, the variety of which proved that he was by no means deficient in industry, though his reading was rather excursive than methodical. From his early years poetry was adopted by him as a profession, for his poetical reading was always accompanied with attempts at imitation or translation; and it may be affirmed that he rose at once almost to perfection in this walk. His manners and conversation were equally beyond his years; and it does not appear that he ever cultivated friendship with any one of his own age or condition.

rendered this one of the most impressive poems of which love is the subject; as it is likewise the most finished of all his works of equal length, in point of language and versification. The exaggeration, however, which he has given to the most impassioned expressions of Eloisa, and his deviations from the true story, have been pointed out by Mr. Berrington in his lives of the two lovers.

During the years in which he was chiefly engaged with the Iliad, he published several occasional works, to which he usually prefixed very elegant prefaces; but the desire of farther emolument induced him to extend his translation to the Odyssey, in which task he engaged two inferior hands, whom he paid out of the produce of a new subscription. He himself, however, translated twelve books out of the twenty-four, with a happiness not inferior to his Iliad; and the transaction, conducted in a truly mercantile spirit, was the source of considerable profit to him. After the appearance of the Odyssey, Pope almost solely made himself known as a satirist and moralist. In 1728 he published the three first books of the "Dunciad," a kind of mock-heroic, the object of which was to

Pope's Pastorals were first printed in a volume of Tonson's Miscellanies in 1709, and were generally admired for the sweetness of the versification, and the lustre of the diction, though they betrayed a want of original observation, and an artificial cast of sentiment: in fact, they were any thing rather than real pastorals. In the mean time he was exer- overwhelm with indelible ridicule all his antagocising himself in compositions of a higher class; nists, together with some other authors whom spleen and by his "Essay on Criticism," published two or party led him to rank among the dunces, though years afterwards, he obtained a great accession of they had given him no personal offence. Notwithreputation, merited by the comprehension of thought, standing that the diction and versification of this the general good sense, and the frequent beauty of poem are labored with the greatest care, we shall illustration which it presents, though it displays borrow nothing from it. Its imagery is often exmany of the inaccuracies of a juvenile author. In tremely gross and offensive; and irritability, ill1712 his Rape of the Lock," a mock-heroic, nature, and partiality, are so prominent through the made its first appearance, and conferred upon him whole, that whatever he gains as a poet he loses as the best title he possesses to the merit of invention. a man. He has, indeed, a claim to the character of The machinery of the Sylphs was afterwards added, a satirist in this production, but none at all to that an exquisite fancy-piece, wrought with unrivalled of a moralist.

skill and beauty. The "Temple of Fame," altered The other selected pieces, though not entirely from Chaucer, though partaking of the embarrass-free from the same defects, may yet be tolerated; ments of the original plan, has many passages which and his noble work called the "Essay on Man," may rank with his happiest efforts.

In the year 1713, Pope issued proposals for publishing a translation of Homer's Iliad, the success of which soon removed all doubt of its making an accession to his reputation, whilst it afforded an

which may stand in the first class of ethical poems, does not deviate from the style proper to its topic. This piece gave an example of the poet's extraor dinary power of managing argumentation in verse, and of compressing his thoughts into clauses of