'There dwells the great Achilles whom we knew.?* There dwell all Heroes, and will dwell: thither, all ye heroicminded-The Heaven's Loadstar once clearly in our eye, how will each true man stand truly to his work in the ship; how, with undying hope, will all things be fronted, all be conquered. Nay, with the ship's prow once turned in that direction, is not all, as it were, already well? Sick wasting misery has become noble manful effort with a goal in our eye. The choking Nightmare chokes us no longer; for we stir under it; the Nightmare has already fled.' Certainly, could the present Editor instruct men how to know Wisdom, Heroism, when they see it, that they might do reverence to it only, and loyally make it ruler over them,—yes, he were the living epitome of all Editors, Teachers, Prophets, that now teach and prophesy; he were an Apollo-Morrison, a Trismegistus and effective Cassandra! Let no Able Editor hope such things. It is to be expected the present laws of copyright, rate of reward per sheet, and other considerations, will save him from that peril. Let no Editor hope such things: no ;—and yet let all Editors aim towards such things, and even towards such alone! One knows not what the meaning of editing and writing is, if even this be not it. Enough, to the present Editor it has seemed possible some glimmering of light, for here and there a human soul, might lie in these confused Paper-Masses now intrusted to him; wherefore he determines to edit the same. Out of old Books, new Writings, and much Meditation not of yesterday, he will endeavour to select a thing or two; and from the Past, in a circuitous way, illustrate the Present and the Future. The Past is a dim indubitable fact the Future too is one, only dimmer; nay properly it is the same fact in new dress and development. For the Present holds in it both the whole Past and the whole Future ;-as the LIFE-TREE IGDRASIL, wide-waving, many-toned, has its roots down. deep in the Death-kingdoms, among the oldest dead dust of men, and with its boughs reaches always beyond the stars; and in all times and places is one and the same Life-tree! * Tennyson's Poems (Ulysses). CHAPTER I. JOCELIN OF BRAKELOND. WE will, in this Second Portion of our Work, strive to penetrate a little, by means of certain confused Papers, printed and other, into a somewhat remote Century; and to look face to face on it, in hope of perhaps illustrating our own poor Century thereby. It seems a circuitous way; but it may prove a way nevertheless. For man has ever been a striving, struggling, and, in spite of wide-spread calumnies to the contrary, a veracious creature: the Centuries too are all lineal children of one another; and often, in the portrait of early grandfathers, this and the other enigmatic feature of the newest grandson shall disclose itself, to mutual elucidation. This Editor will venture on such a thing. Besides, in Editors' Books, and indeed everywhere else in the world of Today, a certain latitude of movement grows more and more becoming for the practical man. Salvation lies not in tight lacing, in these times;-how far from that, in any province whatsoever! Readers and men generally are getting into strange habits of asking all persons and things, from poor Editors' Books up to Church Bishops and State Potentates, not, By what designation art thou called; in what wig and black triangle dost thou walk abroad? Heavens, I know thy designation and black triangle well enough! But, in God's name, what art thou? Not Nothing, sayest thou! Then, How much and what? This is the thing I would know; and even must soon know, such a pass am I come to!--What weather-symptoms,-not for the poor Editor of Books alone! The Editor of Books may understand withal that if, as is said, 'many kinds are permissible,' there is one kind not permissible, the kind that has nothing in it, le genre ennuyeux; and go on his way accordingly. A certain Jocelinus de Brakelonda, a natural-born Englishman, has left us an extremely foreign Book,* which the labours of the Camden Society have brought to light in these days. Jocelin's Book, the Chronicle,' or private Boswellean Notebook, of Jocelin, a certain old St. Edmundsbury Monk and Boswell, now seven centuries old, how remote is it from us; exotic, extraneous; in all ways, coming from far abroad! The language of it is not foreign only but dead: Monk-Latin lies across not the British Channel, but the ninefold Stygian Marshes, Stream of Lethe, and one knows not where! Roman Latin itself, still alive for us in the Elysian Fields of Memory, is domestic in comparison. And then the ideas, life-furniture, whole workings and ways of this worthy Jocelin; covered deeper than Pompeii with the lava-ashes and inarticulate wreck of seven hundred years! Jocelin of Brakelond cannot be called a conspicuous literary character; indeed few mortals that have left so visible a work, or footmark, behind them can be more obscure. One other of those vanished Existences, whose work has not yet vanished ;— almost a pathetic phenomenon, were not the whole world full of such! The builders of Stonehenge, for example:-or alas, what say we, Stonehenge and builders? The writers of the Universal Review and Homer's Iliad; the paviers of London streets;sooner or later, the entire Posterity of Adam! It is a pathetic phenomenon; but an irremediable, nay, if well meditated, a consoling one. By his dialect of Monk-Latin, and indeed by his name, this Jocelin seems to have been a Norman Englishman; the surname de Brakelonda indicates a native of St. Edmundsbury itself, Brakelond being the known old name of a street or quarter in that venerable Town. Then farther, sure enough, our Jocelin was a Monk of St. Edmundsbury Convent; held some obedientia,' subaltern officiality there, or rather, in succession several; was, for one thing, 'chaplain to my Lord Abbot, living beside him night and day for the space of six years;'-which last, indeed, is the grand fact of Jocelin's existence, and properly the *Chronica JOCELINI DE BRAKELONDA, de rebus gestis Samsonis Abbatis Monasteri Sancti Edmundi: nunc primum typis mandata, curante JOHANNE GAGE ROKEWOOD. (Camden Society, London, 1840.) |