The Sewanee Review, Bind 26University of the South, 1918 |
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Side 4
... theatre he now had the privilege of a seat in the first row back of the orchestra . He never received any more substantial recognition than this from either Vespasian of Titus . Both emperors encouraged literature . But , unfor ...
... theatre he now had the privilege of a seat in the first row back of the orchestra . He never received any more substantial recognition than this from either Vespasian of Titus . Both emperors encouraged literature . But , unfor ...
Side 9
... theatres , the social gatherings , the cultivated reading public . Epigram was the work of his life , and the possibilities of Bilbilis for epigram were soon exhausted . Moreover , he had little in common with the average denizen of ...
... theatres , the social gatherings , the cultivated reading public . Epigram was the work of his life , and the possibilities of Bilbilis for epigram were soon exhausted . Moreover , he had little in common with the average denizen of ...
Side 16
... are written for those who attend Flora's entertainments . Cato should not come into my theatre . But if he does come in let him take his seat and look on with the rest . " Perhaps I ought to add , by way of explanation 16 The Sewanee ...
... are written for those who attend Flora's entertainments . Cato should not come into my theatre . But if he does come in let him take his seat and look on with the rest . " Perhaps I ought to add , by way of explanation 16 The Sewanee ...
Side 17
... theatre during this festival , but finding that his presence put a damper on the occasion , he walked out again . The Stoics of the Empire were never weary of repeating this anecdote of their patron saint . We might expect a man of ...
... theatre during this festival , but finding that his presence put a damper on the occasion , he walked out again . The Stoics of the Empire were never weary of repeating this anecdote of their patron saint . We might expect a man of ...
Side 23
... theatre or who attempts to get into society by changing a too - significant name . Mus is a small matter - as Horace says , ' ridiculus mus . ' But observe what a difference it makes between Cinnamus , the ex- slave , and Cinna , the ...
... theatre or who attempts to get into society by changing a too - significant name . Mus is a small matter - as Horace says , ' ridiculus mus . ' But observe what a difference it makes between Cinnamus , the ex- slave , and Cinna , the ...
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Side 398 - And I have declared unto them thy name, and will declare it: that the love wherewith thou hast loved me may be in them, and I in them.
Side 466 - You are old, Father William,' the young man said, 'And your hair has become very white; And yet you incessantly stand on your head — Do you think, at your age, it is right? '
Side 186 - REMEMBER now thy Creator in the days of thy youth, while the evil days come not, nor the years draw nigh, when thou shalt say, I have no pleasure in them...
Side 318 - So live, that when thy summons comes to join The innumerable caravan which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
Side 213 - And thus when by poetry — or when by music, the most entrancing of the poetic moods — we find ourselves melted into tears, we weep then, not, as the Abbate Gravina supposes, through excess of pleasure, but through a certain petulant, impatient sorrow at our inability to grasp now, wholly, here on earth, at once and forever, those divine and rapturous joys, of which through the poem or through the music, we attain to but brief and indeterminate glimpses.
Side 215 - It is in Music, perhaps, that the soul most nearly attains the great end for which, when inspired by the Poetic Sentiment, it struggles— the' creation of supernal Beauty. It may be, indeed, that here this sublime end is, now and then, attained in fact. We are often made to feel, with a shivering delight, that from an earthly harp are stricken notes which cannot have been unfamiliar to the angels.
Side 463 - They shall not grow old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them.
Side 38 - Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.
Side 191 - Time had some score of small voices in that shop, some stately and slow as was becoming to their great age; others garrulous and hurried. All these told out the seconds in an intricate chorus of tickings. Then the passage of a lad's feet, heavily running on the pavement, broke in upon these smaller voices and startled Markheim into the consciousness of his surroundings. He looked about him awfully. The candle stood on the counter, its flame solemnly wagging in a...
Side 315 - I have a rendezvous with Death At some disputed barricade, When Spring comes back with rustling shade And apple-blossoms fill the air — I have a rendezvous with Death When Spring brings back blue days and fair.