implication expressed dissent from this idea (p. 25); but, even if its truth is granted, what follows is that poetry should endeavour in its own way to achieve that perfect identification; but it does not in the least follow that it should endeavour to do so by reducing itself as nearly as possible to mere sound. Nor did Pater affirm this, or (so far as I see) imply it. But others have. THE LETTERS OF KEATS THERE is no lack of good criticism on the poetry of Keats. It has been discussed by the leading poets of three generations or semi-generations; by Matthew Arnold, by Mr. Swinburne, and, much more fully, by Mr. Bridges. Lord Houghton's Life and Letters and Mr. Colvin's biography both contain excellent criticisms or studies of the poems. And (to go no further) they have lately been edited by Mr. de Sélincourt in a volume invaluable to students of Keats, and reflecting honour not only on its author but on the Oxford School of English, to the strength of which he has contributed so much. My principal object is to consider Keats's attitude to poetry and his views about it, in connection with the ideas set forth in previous lectures on Shelley's views and on the age of Wordsworth. But I wish to preface my remarks on this subject, and to prepare for them, by an urgent appeal, addressed to any reader of the poems who may need it, to study the letters of Keats. If I may judge from my experience, such readers are still far too numerous; and I am sure that no one already familiar with the letters will be sorry to listen to quotations from them.1 1 The Letters (except those to Miss Brawne, and a few others) have been edited by Colvin, and (without exception) by Forman (pub. Gowans & Gray). I refer to them by their numbers, followed by the initial of the editor's name. Both editions reproduce peculiarities of punctuation, etc.; but for my present purpose these are usually without interest, and I have consulted the convenience of the reader in making changes. O.L. |