Oxford Lectures on PoetryMacmillan and Company, limited, 1909 - 395 sider |
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Side 18
... writer's mind - but it is not expressive of the 1 1 These remarks will hold good , mutatis mutandis , if by ' substance ' is understood the ' moral ' or the ' idea ' of a poem , although perhaps in one instance out of five thousand this ...
... writer's mind - but it is not expressive of the 1 1 These remarks will hold good , mutatis mutandis , if by ' substance ' is understood the ' moral ' or the ' idea ' of a poem , although perhaps in one instance out of five thousand this ...
Side 19
... writer's perception , feeling , image , or thought ; so that , as we read a descriptive phrase of Keats's , we exclaim , That is the thing itself ' ; so that , to quote Arnold , the words are ' symbols equivalent 、 with the thing ...
... writer's perception , feeling , image , or thought ; so that , as we read a descriptive phrase of Keats's , we exclaim , That is the thing itself ' ; so that , to quote Arnold , the words are ' symbols equivalent 、 with the thing ...
Side 22
... writer is deceiving himself . For I could quite understand his enthusiasm , if it were an enthusiasm for the music of the meaning ; but as for the music , ' quite independently of the meaning , ' so far as I can hear it thus ( and I ...
... writer is deceiving himself . For I could quite understand his enthusiasm , if it were an enthusiasm for the music of the meaning ; but as for the music , ' quite independently of the meaning , ' so far as I can hear it thus ( and I ...
Side 23
... write the poem ? The poem would in fact already be written . For only its completion can reveal , even to him , exactly what he wanted . When he began and 1 This paragraph is criticized in Note D. while he was at work , he did not ...
... write the poem ? The poem would in fact already be written . For only its completion can reveal , even to him , exactly what he wanted . When he began and 1 This paragraph is criticized in Note D. while he was at work , he did not ...
Side 30
... to me to re - write the paragraph , but if I reprint it and expose my errors the reader will perhaps be helped to a firmer grasp of that idea . It is true that where poetry is most poetic we 30 OXFORD LECTURES ON POETRY.
... to me to re - write the paragraph , but if I reprint it and expose my errors the reader will perhaps be helped to a firmer grasp of that idea . It is true that where poetry is most poetic we 30 OXFORD LECTURES ON POETRY.
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Almindelige termer og sætninger
action aesthetic Alastor answer Antigone Antony and Cleopatra Antony's appears audience beauty believe Cæsar called character Coleridge conflict Coriolanus criticism death doubt drama dream effect Elizabethan Endymion evil example experience expression fact Falstaff feel felt genius Goethe groundlings Hamlet heart Hegel Henry Henry IV hero human idea ideal imagination impression infinite Julius Cæsar Keats Keats's kind King King Lear language lecture less long poem lyrical Macbeth matter meaning merely mind moral nature never Octavius Othello pain passage passion perhaps play poet poet's poetic poetry question reader realise reason refer remember scene seems sense Shakespeare Shakespearean Tragedy Shelley Shelley's sonnets soul speak speech spirit stage stanza story sublime substance sympathy theory thing thought tion tragedy tragic Troilus and Cressida true truth Twelfth Night whole words Wordsworth write
Populære passager
Side 233 - That light whose smile kindles the universe, That beauty in which all things work and move, That benediction which the eclipsing curse Of birth can quench not, that sustaining Love Which, through the web of being blindly wove By man and beast and earth and air and sea, Burns bright or dim, as each are mirrors of The fire for which all thirst, now beams on me, Consuming the last clouds of cold mortality.
Side 127 - For I must tread on shadowy ground, must sink Deep — and, aloft ascending, breathe in worlds To which the heaven of heavens is but a veil. All strength — all terror, single or in bands, That ever was put forth in personal form — Jehovah — with his thunder, and the choir Of shouting Angels, and the empyreal thrones — I pass them unalarmed.
Side 110 - He too upon a wintry clime Had fallen — on this iron time Of doubts, disputes, distractions, fears. He found us when the age had bound Our souls in its benumbing round ; He spoke, and loosed our heart in tears. He laid us as we lay at birth On the cool flowery lap of earth...
Side 156 - It is as it were the interpenetration of a diviner nature through our own ; but its footsteps are like those of a wind over the sea, which the coming calm erases, and whose traces remain only, as on the wrinkled sand which paves it.
Side 135 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty Thing surprised...
Side 145 - And then an open field they crossed : The marks were still the same; They tracked them on, nor ever lost; And to the bridge they came. They followed from the snowy bank Those footmarks, one by one, Into the middle of the plank; And further there were none ! — Yet some maintain that to this day She is a living child ; That you may see sweet Lucy Gray Upon the lonesome wild.
Side 217 - This morning I am in a sort of temper, indolent and supremely careless ; I long after a stanza or two of Thomson's " Castle of Indolence " ; my passions are all asleep, from my having slumbered till nearly eleven, and weakened the animal fibre all over me, to a delightful sensation, about three degrees on this side of faintness. If I had teeth of pearl, and the breath of lillies, I should call it languor ; but as I am I must call it laziness.
Side 317 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Side 139 - The old Man still stood talking by my side; But now his voice to me was like a stream Scarce heard; nor word from word could I divide...
Side 160 - Hence the vanity of translation; it were as wise to cast a violet into a crucible that you might discover the formal principle of its colour and odour, as seek to transfuse from one language into another the creations of a poet.