De Quincey's works, Bind 8 |
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Side 2
... particular case as a reason generally for renewing by intervals the examination of great writers , and liberating the verdict of their contemporaries from the casual disturbances to which every age is liable in its judg- ments , and in ...
... particular case as a reason generally for renewing by intervals the examination of great writers , and liberating the verdict of their contemporaries from the casual disturbances to which every age is liable in its judg- ments , and in ...
Side 11
... particular channel on the suggestion of some French book , that would not justify our classing what belongs to universal nature , and what in- or * The reason why the broad distinctions between the two litera- tures of power and ...
... particular channel on the suggestion of some French book , that would not justify our classing what belongs to universal nature , and what in- or * The reason why the broad distinctions between the two litera- tures of power and ...
Side 15
... particular ( who had seen so little of higher society when he wrote his youthful poems of Lucrece and Adonis ) , should have maintained so much purer a grammar ? Dr. Johnson indeed , but most falsely , says that Shakspeare's grammar is ...
... particular ( who had seen so little of higher society when he wrote his youthful poems of Lucrece and Adonis ) , should have maintained so much purer a grammar ? Dr. Johnson indeed , but most falsely , says that Shakspeare's grammar is ...
Side 22
... particular Twickenham grotto , was unavoidably a hypocrite of the first magnitude when he affected ( or sometimes really conceited himself ) to be in a dreadful passion with offenders as a body . It provokes fits of laughter , in a man ...
... particular Twickenham grotto , was unavoidably a hypocrite of the first magnitude when he affected ( or sometimes really conceited himself ) to be in a dreadful passion with offenders as a body . It provokes fits of laughter , in a man ...
Side 27
... particular characters of women are more various than those of men . " It is no evasion of this insufferable contradiction , that he couples with the greater variety of characters in women a greater uniformity in what he presumes to be ...
... particular characters of women are more various than those of men . " It is no evasion of this insufferable contradiction , that he couples with the greater variety of characters in women a greater uniformity in what he presumes to be ...
Almindelige termer og sætninger
absolute Adeimantus Africa amongst ancient arose astrologer Athenæum Athenian Athens called character Charles Lamb Christian civilisation colour Count Julian Dahra Danube dialogue diction didactic drama earth effect Egypt Eloisa English Euripides existed expression fact fancy feeling French Gebir grandeur Grecian Greece Greek tragedy heart Heracleida Herodotus honour human idea idolatry instance intellectual interest Iolaus justice king labour lady Lamb's Landor language Latin literature Macedon means mind mode modern moral nations nature necessity never Nile object original Pagan palæstra particular passion peculiar perhaps Pericles philosophic Plato poem poetry poets Pope Pope's Portia principle purpose reader reason regards religious Rennell respect Roman satiric secondly seems sense separate social Socrates solemn sometimes Southey speak stage style supposed taste thing thought tion tragic true truth vast Walter Savage Landor whilst whole word Wordsworth write
Populære passager
Side 35 - For forms of government let fools contest ; Whate'er is best administered is best : For modes of faith let graceless zealots fight ; His can't be wrong whose life is in the right...
Side 282 - When all our fathers worshipped stocks and stones, Forget not : in thy book record their groans Who were thy sheep, and in their ancient fold Slain by the bloody Piedmontese, that rolled Mother with infant down the rocks. Their moans The vales redoubled to the hills and they To heaven.
Side 5 - There is first the literature of knowledge, and secondly, the literature of power. The function of the first is — to teach; the function of the second is — to move: the first is a rudder, the second an oar or a sail. The first speaks to the mere discursive understanding; the second speaks ultimately it may happen to the higher understanding or reason, but always through affections of pleasure and sympathy.
Side 26 - Nothing so true as what you once let fall, "Most women have no characters at all." Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.
Side 30 - twould a saint provoke" (Were the last words that poor Narcissa spoke), " No, let a charming chintz, and Brussels lace Wrap my cold limbs, and shade my lifeless face : One would not, sure, be frightful when one's dead — And, Betty, give this cheek a little red.
Side 109 - What repartees could have passed, when you must have felt about for a smile, and handled a neighbour's cheek to be sure that he understood it? This accounts for the seriousness of the elder poetry. It has a sombre cast (try Hesiod or Ossian), derived from the tradition of those unlantern'd nights. Jokes came in with candles.
Side 313 - Beneath a mightier, sterner, stress of mind. Wakeful he sits, and lonely, and unmoved, Beyond the arrows, shouts, and views of men. As oftentimes an eagle, ere the sun Throws o'er the varying earth his early ray, Stands solitary — stands immovable Upon some highest cliff, and rolls his eye, Clear, constant, unobservant, unabased, In the cold light above the dews of morn.
Side 6 - ... what you owe is power, that is exercise, and expansion to your own latent capacity of sympathy with the infinite, where every pulse and each separate influx is a step upwards, a step ascending as upon a Jacob's ladder from earth to mysterious altitudes above the earth.
Side 11 - The reason why. the broad distinctions between the two literatures of power and knowledge so little fix the attention lies in the fact that a vast proportion of books — history, biography, travels, miscellaneous essays, &c.- — lying in a middle zone, confound these distinctions by interblending them. All that we call "amusement...
Side 6 - Nothing at all. What do you learn from a cookery-book? Something new, something that you did not know before, in every paragraph. But would you therefore put the wretched cookery-book on a higher level of estimation than the divine poem? What you owe to Milton is not any knowledge, of which a million separate items are still but a million of advancing steps on the same earthly level; what you owe is...