English Versification: A Complete Practical Guide to the Whole SubjectLongmans, Green, and Company, 1869 - 154 sider |
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... STAVE 68 X. THE STAVE RHYMED XI . CONTINUATION OF DITTO . XII . THE LAY · XIII . MID - RHYME FORMATIONS . XIV . REMAINING FORMS OF THE ODE XV . REVERT XVI . ON RHYME , HALF - RHYME , ALLITERATION , & C . XVII . JUNCTIONS XVIII . TONE ...
... STAVE 68 X. THE STAVE RHYMED XI . CONTINUATION OF DITTO . XII . THE LAY · XIII . MID - RHYME FORMATIONS . XIV . REMAINING FORMS OF THE ODE XV . REVERT XVI . ON RHYME , HALF - RHYME , ALLITERATION , & C . XVII . JUNCTIONS XVIII . TONE ...
Side 28
... stave or stanza ; distinction at this stage is but one to the eye at most , so it is deemed best to cite the most prominent forms here , where they can best be grouped . Rhymed lines occur of all lengths , from even one and two feet ...
... stave or stanza ; distinction at this stage is but one to the eye at most , so it is deemed best to cite the most prominent forms here , where they can best be grouped . Rhymed lines occur of all lengths , from even one and two feet ...
Side 30
... staves of four lines , the usual way , what is commonly known as the ballad measure ordinary . This form has perhaps had more practisers than any in the lan- guage . Very frequently , as here , the leading lines are left unrhymed : - A ...
... staves of four lines , the usual way , what is commonly known as the ballad measure ordinary . This form has perhaps had more practisers than any in the lan- guage . Very frequently , as here , the leading lines are left unrhymed : - A ...
Side 67
... and minor poems in general . Rather as the poet's particular production com- mends itself to our liking we feel well or ill disposed to the measures employed . IX . THE UNRHYMED STAVE . STAVE or stanza is F 2 QUICK VERSE RHYMED . 67.
... and minor poems in general . Rather as the poet's particular production com- mends itself to our liking we feel well or ill disposed to the measures employed . IX . THE UNRHYMED STAVE . STAVE or stanza is F 2 QUICK VERSE RHYMED . 67.
Side 68
... STAVE . STAVE or stanza is the general designation for any number of lines connected together on any plan , regular or irregular ; stave , as far as any distinction exists , applying more perhaps to the minor forms , stanza to the ...
... STAVE . STAVE or stanza is the general designation for any number of lines connected together on any plan , regular or irregular ; stave , as far as any distinction exists , applying more perhaps to the minor forms , stanza to the ...
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English Versification: A Complete Practical Guide to the Whole Subject ... E. Wadham Ingen forhåndsvisning - 2018 |
Almindelige termer og sætninger
accent alliteration alternate arrangement ballad beat beauty blank verse cadence called close consonant couplet crown verse dactyl effect enclitic English epic eyes fair fall Five-foot fixed cesura flowers four feet Four-foot free verse gentle Annie Greek hand hath heart heaven hexameter hover impart instance irregular kind King Arthur language length light longer LYTTON march metre measure melody metrical nature night NUT-BROWN MAID o'er occasionally odd syllable odd-over pause piece poem poet poetic poetry primus ab prose prosody Public School Latin quatrain Queen Mab quick foot rest rhyme rhythm rhythmic roundel rule School Latin Primer seems short sing sleep song sorrow soul sound spondaic stanza star stave strong beginning structure sweet tears Telamonian Ajax thee thou three feet tone triplet tripping metre trochee unrhymed variety versification voice vowel weep winds words
Populære passager
Side 105 - Hear the sledges with the bells Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight...
Side 104 - My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: "Tis not through envy of thy happy lot, But being too happy in thine happiness, — That thou, light-winged Dryad of the trees, In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease.
Side 108 - Now strike the golden lyre again: A louder yet, and yet a louder strain, Break his bands of sleep asunder, And rouse him, like a rattling peal of thunder. Hark, hark! the horrid sound Has raised up his head: As awaked from the dead, And amazed, he stares around. Revenge! revenge!
Side 41 - Everything did banish moan, Save the nightingale alone: She, poor bird, as all forlorn, Lean'd her breast up-till a thorn, And there sung the dolefull'st ditty, That to hear it was great pity. 'Fie, fie, fie...
Side 95 - When the broken arches are black in night, And each shafted oriel glimmers white; When the cold light's uncertain shower Streams on the ruined central tower; When buttress and buttress, alternately, Seem framed of ebon and ivory; When silver edges the imagery, And the scrolls that teach thee...
Side 107 - TWAS at the royal feast for Persia won By Philip's warlike son: Aloft in awful state The godlike hero sate On his imperial throne...
Side 42 - SPAKE full well, in language quaint and olden, One who dwelleth. by the castled Rhine, When he called the flowers, so blue and golden, Stars, that in earth's firmament do shine. Stars they are, wherein we read our history, As astrologers and seers of eld ; Yet not wrapped about with awful mystery, Like the burning stars, which they beheld.
Side 102 - Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along.
Side 103 - tis said) Before was never made, But when of old the sons of morning sung, While the Creator great His constellations set, And the well-balanced world on hinges hung ; And cast the dark foundations deep, And bid the weltering waves their oozy channel keep.
Side 82 - Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore; Tis the wind and nothing more.