boys in the sixteenth century spoke little Latin when they were alone by themselves. Cordier,' writing in 1530, says, "Our boys always chatter French with their companions; or if they try to talk Latin, cannot keep it up."

The old ecclesiastical Latin of the Middle Ages had been superseded by the classical Latin of the Roman poets, and all the energies of the educational institutions were thrown into the acquisition and practice of Latin eloquence. The classics were read for the phrases that might be culled for use in the construction of Latin sentences; these, with disputations, declamations, and Latin plays, were the order of the century. Since education consisted in the acquisition of a graceful and elegant style, the young learner, from the first, applied himself to the grammatical study of Latin authors, regarding solely the language of the classics, and taking subject-matter into account only when this was necessary to understand the words.

There was no study of the mother-tongue preliminary to the study of the classics. Children began at once the study of the Latin grammar, and they had to write Latin verses before they had been exercised in compositions, in the vernacular, or, for that matter, before they had been trained to express their thoughts in Latin prose. And still more remarkable, as Oscar Browning points out, "the Latin taught was not the masculine language of Lucretius and Cæsar, but the ornate and artificial diction of Horace and Virgil, and, above all, of Cicero." "There is no doubt," he adds, "that narrow and faulty as it was, it gave a good edu

1 De corrupti sermonis emendatione. By Maturin Cordier. Paris, 1530. Quoted by Mr. Keatinge.

cation so long as people believed in it. To know Horace and Virgil by heart became the first duty of the scholar. Speeches in Parliament were considered incomplete if they did not contain at least one Latin quotation. A false quantity was held to be a greater crime than a slip in logical argument. Cicero not only influenced the education of English statesmen, but had no inconsiderable effect on their conduct."

The humanist educators of the sixteenth century not only neglected the study of the mother-tonguethey proscribed it. The Ratio1 of the Jesuits forbids its use except on holidays, and Sturm at Strasburg abbreviated the recreation periods of his pupils because of risks of speaking in the mother-tongue on the playground. And all this proscription of the vernacular that students might acquire eloquence in a foreign. tongue. Well does Raumer2 ask, "Why did they continue, like a second Sisyphus, their fruitless endeavors to metamorphose German into Roman youths, and to impart to them, in defiance of the laws of human nature, another tongue?"

They were themselves deceived in assuming that they could call to life the ancient culture of Rome and Greece. Indeed, they believed that they had discovered ways of training which would develop scholars capable of producing Latin works equal to the masterpieces that they had studied in their schools. John Sturm, one of the most ardent of the humanists, said:

1 For an account of the schools of the Jesuits see Loyola and the educational system of the Jesuits. By Thomas Hughes. New York: Charles Scribner's Sons, 1892. pp. 302.

2 Geschichte der Pädagogik. Von Karl von Raumer. Gütersloh: Bertelsmann, 1882.

"The Romans had two advantages over us; the one consisted in learning Latin without going to school, and the other in frequently seeing Latin comedies and tragedies acted, and in hearing Latin orators speak. Could we recall these advantages in our schools, why could we not, by persevering diligence, gain what they possessed by accident and habit- namely, the power of speaking Latin to perfection? I hope to see the men of the present age, in their writing and speaking, not merely followers of the old masters, but equal to those who flourished in the noblest age of Athens and Rome." But how misguided and mistaken!

Not only did Latin monopolize the curriculum of the sixteenth-century school, but the study was primarily philological, for grammatical structure, and only secondarily for the content of the literature, for a correct understanding of the author. As a matter of fact, the method of study was such as to make intelligent comprehension of the author's thought next to impossible, since the humanists simply culled out phrases which might be imitated and used in the exercises of style. Raumer says of this kind of teaching: "The author was not an end, but only a means to an endthe cultivation of deified Roman eloquence in boys. And why? Precisely as the peacock was used by the jackdaw. They borrowed the author's words and phrases, grouped them together, and learned them by heart, in order subsequently to apply them in speech or writing. Borrow is too feeble an expression; for the jackdaw designed not merely to borrow the peacock's feathers, but to represent them as his own. The doctrine of imitation, as set forth by Sturm and the others, was, after all, a mere jackdaw theory.

The pupil was taught how, by a slight alteration, to disguise phrases from Cicero, and then to use them in writing or speech, exactly as if they were his own productions, so adroitly smuggling them in that the readers or hearers might not suspect from whence they were taken. Says Sturm: 'When the teacher gives out themes for composition, he should draw attention to those points where imitation is desirable, and show how similarity may be concealed by a superadded variation.' Again: 'We must, in the first place, take care that the similarity shall not be manifest. Its concealment may be accomplished in three ways-by adding, by taking away, and by alteration.""

list, because of the

The Jesuits likeSaid one of their

In this mad race for Latin eloquence, the sixteenthcentury humanists became more and more circumscribed in the choice of authors. Sturm, for example, placed Cicero at the head of the faultless models of his eloquence. wise held Cicero in high esteem. writers, "Style should be drawn almost exclusively from Cicero, although the most approved of the historians need not on that account be overlooked." Again: "The pattern we should follow in style is comprehended in the words of the rule, 'imitate Cicero.' As in the study of theology we follow the divine Thomas Aquinas, and in philosophy Aristotle, so in the humanities Cicero must be regarded as our peculiar and preeminent leader. For he has been crowned by the palm of superior praise by the common consent of the world. But some, misguided by a wilful and self-formed taste, have gone astray, preferring a style totally different from that of Cicero; such an erratic course is quite at variance with the genius of our

institutions and hostile to the spirit of prompt obedience."

This servile devotion to Cicero, it should be recalled, was a marked departure from the more varied and richer curricula of the fifteenth-century humanists,1 when men of the stamp of Vittorino da Feltre, Leonardo Bruni, Vergarius, Sylvius, and Guarino were the standard-bearers of humanism. Many causes had conspired to bring about this decadence; and perhaps the most fundamental cause was the senseless worship of forms of expression. The later humanists worshipped the forms of thought. "Beauty of expression," says Professor Laurie," "was regarded as inseparable from truth and elevation of thought. The movement soon shared the fate of all enthusiasms. The new form was worshipped, and to it the spirit and substance were subordinated. Style became the supreme object of the educated classes, and successful imitation, and thereafter laborious criticism, became marks of the highest culture."

This use of the classics as instruments in grammatical drill and vehicles of communication had become well-nigh universal by the middle of the sixteenth century. Erasmus, himself one of the most ardent advocates of classical learning, perceived apparently the narrowing tendencies of humanistic training, and urged that students be taught to know many things besides Latin and Greek in order that they might the

1 See the admirable sketch of the earlier humanists: Vittorino da Feltre and other humanists. By William H. Woodward. Cambridge: University Press, 1897. pp. 256.

2 John Amos Comenius: his life and educational work. By S. S. Laurie. Boston: Willard Small, 1885. pp. 229.