son, "its picturesque appearance, the varied and beautiful grounds which surrounded it, called up a thousand poetic images and romantic ideas. A long gallery, a winding staircase, a dark, narrow passage, a trap-door, large apartments with massive doors, and heavy iron bars and bolts, all set her mind teeming with recollections of what she had read and imagined of old castles, banditti, smugglers, &c. She roamed over the place in perfect ecstasy, peopling every part with images of her own imagination, and fancying it the scene of some foregone event of dark and thrilling interest." There was, in fact, some palpable material for all this spinning and weaving of the fancy. The writer of this memoir visited Ruremont at the time it was occupied by the Davidson family. It was a spacious, and somewhat crazy and poetical-looking mansion, with large waste apartments. The grounds were rather wild and overgrown, but so much the more picturesque. It stood on the banks of the Sound, the waters of which rushed, with whirling and impetuous tides, below, hurrying on to the dangerous strait of Hell Gate. Nor was this neighbourhood without its legendary tales. These wild and lonely shores had, in former times, been the resort of smugglers and pirates. Hard by this very place stood the country retreat of Ready Money Prevost, of dubious and smuggling memory, with his haunted tomb, in which he was said to conceal his contraband riches; and scarce a secret spot about these shores but had some tradition connected with it of Kidd the pirate and his buried treasures. All these circumstances were enough to breed thick-coming fancies in so imaginative a brain, and the result was a drama in six acts, entitled "The Smuggler," the scene of which was laid at Ruremont in the old time of the province. The play was written with great rapidity, and, considering she was little more than twelve years of age, and had never visited a theatre but once in her life, evinced great aptness and dramatic talent. It was to form a domestic entertainment for Christmas holidays; the spacious back parlour was to be fitted up for the theatre. In planning and making arrangements for the performance, she seemed perfectly happy, and her step resumed its wonted elasticity, though her anxious mother often detected a suppressed cough, and remarked a hectic flush upon her cheek. "We now found," says Mrs. Davidson, "that private teachers were not be procured at Ruremont, and I feared to have her enter upon a course of study which had been talked of, before we came to this place. I thought she was too feeble for close mental application, while she was striving, by the energies of her mind and bodily exertion, (which only increased the morbid excitement of her system,) to overcome disease, that she feared was about to fasten itself upon her. She was the more anxious, therefore, to enter upon her studies; and when she saw solicitude in my countenance and manner, she would fix her sweet sad eyes upon my face, as if she would read my very soul, yet dreaded to know what she might find written there. I knew and could understand her feelings; she also understood mine; and there seemed to be a tacit compact between us that this subject, at present, was forbidden ground. Her father and brothers were lulled into security by her cheerful manner and constant assertion that she was well, and considered her cough the effect of recent cold. My opinion to the contrary was regarded as the result of extreme maternal anxiety."

She accordingly went to town three times a week, to take lessons in French, music, and dancing. Her progress in French was rapid, and the correctness and elegance of her translations surprised her teachers. Her friends in the city, seeing her look so well and appear so sprightly, encouraged her to believe that air and exercise would prove more beneficial than confinement to the house. She went to town in the morning and returned in the evening in an open carriage, with her father and one of her elder brothers, each of whom was confined to his respective office until night. In this way she was exposed to the rigours of an unusually cold season; yet she heeded them not, but returned home full of animation to join her little brothers in preparations for their holiday fête. Their anticipations of a joyous Christmas were doomed to sad disappointment. As the time approached, two of her brothers were taken ill. One of these, a beautiful boy about nine years of age, had been the favourite companion of her recreations, and she had taken great interest in his mental improvement. "Towards the close of 1835," says her mother, "he began to droop; his cheek grew pale, his step languid, and his bright eye heavy. Instead of rolling the hoop, and bounding across the lawn to meet his sister on her return from the city, he drooped by the side of his feeble mother, and could not bear to be parted from her; at length he was taken to his bed, and, after lingering four months, he died. This was Margaret's first acquaintance with death. She witnessed his gradual decay almost unconsciously, but still persuaded herself 'he will, he must get well!' She saw her sweet little playfellow reclining upon my bosom during his last agonies; she witnessed the bright glow which flashed upon his long-faded cheek; she beheld the unearthly light of his beautiful eye, as he pressed his dying lips to mine and exclaimed, 'Mother! dear mother! the last hour has come!' Oh! it was indeed an hour of anguish never to be forgotten. Its effect upon her youthful mind was as lasting as her life. The sudden change from life and animation to the still unconsciousness of death, for the time almost paralysed her. She shed no tear, but stood like a statue upon the scene of death. But when her eldest brother tenderly led her from the room, her tears gushed forth-it was near midnight, and the first thing that aroused her to a sense of what was going on around her, was the thought of my bereavement, and a conviction that it was her province to console me."

We subjoin a record, from her own pen, of her feelings on this lamentable occasion.

ON THE CORPSE OF MY LITTLE BROTHER KENT.

Beauteous form of soulless clay!
Image of what once was life!
Hush'd is thy pulse's feeble play,

And ceased the pangs of mortal strife.

Oh! I have heard thy dying groan,
Have seen thy last of earthly pain;
And while I weep that thou art gone,
I cannot wish thee here again.

For ah! the calm and peaceful smile
Upon that clay-cold brow of thine,
Speaks of a spirit freed from sin,
A spirit joyful and divine.

But thou art gone! and this cold clay
Is all that now remains of thee;
For thy freed soul hath wing'd its way
To blessed immortality.

That dying smile, that dying groan,
I never, never can forget,

Till death's cold hand hath clasp'd my own,
His impress on my brow has set.

Those low, and sweet, and plaintive tones,
Which o'er my heart like music swept,
And the deep, deathlike, chilling moans
Which from thy heaving bosom crept.

Oh! thou wert beautiful and fair,
Our loveliest and our dearest one!
No more thy pains or joys we share,
No more-my brother, thou art gone.

Thou 'rt gone! What agony, what wo
In that brief sentence is express'd!
Oh that the burning tears could flow,
And draw this mountain from my breast!

The anguish of the mother was still more intense, as she saw her bright and beautiful but perishable offspring thus, one by one, snatched away from her. "My own weak frame," says she, "was unable longer to sustain the effects of long watching and deep grief. I had not only lost my lovely boy, but I felt a strong conviction that I must soon resign my Margaret; or rather, that she would soon follow me to a premature grave. Although she still persisted in the belief that she was well, the irritating cough, the hectic flush, (so often mistaken for the bloom of health,) the hurried beating