Victorian Perspectives: Six EssaysJohn Clubbe, Jerome Meckier University of Delaware Press, 1989 - 156 sider Contributing greatly to the ongoing revaluation of the Victorians, these six essays capture fresh perspectives in presenting among the subjects a fuller grounding for Browning's poetry, a clearer awareness of the role of comedy in Arnold's prose, and a look at Trollope as a crucial addition to his era's exhaustive studies of symbolic parent-child relationships. |
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... chapter in English literary realism , or a look at Trollope as a crucial addition to his era's exhaustive studies of changing and highly symbolic parent - child relationships . For a note on the editors and a list of the contributors ...
... chapter in English literary realism , or a look at Trollope as a crucial addition to his era's exhaustive studies of changing and highly symbolic parent - child relationships . For a note on the editors and a list of the contributors ...
Side xii
... chapter in English literary realism , or a look at Trollope as a crucial addition to his era's exhaustive studies of changing and highly symbolic parent - child relationships . The essays in Victorian Perspectives have been published in ...
... chapter in English literary realism , or a look at Trollope as a crucial addition to his era's exhaustive studies of changing and highly symbolic parent - child relationships . The essays in Victorian Perspectives have been published in ...
Side 3
... Chapter Ten of Book Second of Sartor Resartus entitled ' Pause ' . It is the chapter which follows the grand climax of Sartor Resartus , ' The Everlasting Yea ' : Here , indeed , at length , must the Editor give utterance to a painful ...
... Chapter Ten of Book Second of Sartor Resartus entitled ' Pause ' . It is the chapter which follows the grand climax of Sartor Resartus , ' The Everlasting Yea ' : Here , indeed , at length , must the Editor give utterance to a painful ...
Side 12
... chapter on symbols is an eloquent paragraph on the fundamentally temporal and temporary character of symbols . The paragraph rises to a hyperbolic climax in which all things , even the manifestations of the infinite and the 12 Victorian ...
... chapter on symbols is an eloquent paragraph on the fundamentally temporal and temporary character of symbols . The paragraph rises to a hyperbolic climax in which all things , even the manifestations of the infinite and the 12 Victorian ...
Side 13
... chapter I turn before concluding . It would seem that the answer to my question would be easy to give decisively . The conversion experience in the rue de l'Enfer , echo of Thomas Carlyle's own experience in Leith Walk and echo in turn ...
... chapter I turn before concluding . It would seem that the answer to my question would be easy to give decisively . The conversion experience in the rue de l'Enfer , echo of Thomas Carlyle's own experience in Leith Walk and echo in turn ...
Indhold
xiii | |
Elegant Jeremiahs The Genre of the Victorian Sage | 19 |
Prodigals and Prodigies Trollopes Notes as a Son and Father | 40 |
Ruskin Arnold and Brownings Grammarian Crowded with Culture | 66 |
The Comedy of Culture and Anarchy | 116 |
The View from John Street Richard Whiteings Social Realism | 141 |
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Almindelige termer og sætninger
aesthetic Altick Anthony Trollope anticlimax Autobiography beautiful Browning's Grammarian Carlyle Carlyle's chapter character Christian Cleon comic contemporary context critics Culture and Anarchy DeLaura DeVane Dickens disciples doctrine Duke's Children Emerson Empedocles essay example extrinsic fact father father-son fiction figure Fra Lippo Lippi genre Grammarian's Funeral hieroglyphic human interpretation intrinsic symbol ironic irony Jerome Hamilton John Ruskin John Street judgement language Letters lines Lippo Lippi literary literature living London Lord Matthew Arnold meaning mode modern moral Nature of Gothic Nietzsche novel Old Testament Old Testament prophet Oxford Palliser parable Plantagenet Palliser poem poet poetry portrait praise present pride prodigal prose reader reading realism rhetorical Richard Robert Browning Roman Renaissance Ruskin sagistic Sartor Resartus satire Scarborough sons speaking spirit Stones Studies Teufelsdröckh theme things Thomas Carlyle Thoreau Tilda Trollope Trollope's truth University Press Victorian Literature Victorian sage Whiteing's words writing
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Side 16 - But indeed Conviction, were it never so excellent, is worthless till it convert itself into Conduct. Nay properly Conviction is not possible till then; inasmuch as all Speculation is by nature endless, formless, a vortex amid vortices: only by a felt indubitable certainty of Experience does it find any centre to revolve round, and so fashion itself into a system. Most true is it, as a wise man teaches us, that "Doubt of any sort cannot be removed except by Action.
Side 69 - I know no other piece of modern English, prose or poetry, in which there is so much told, as in these lines, of the Renaissance spirit, — its worldliness, inconsistency, pride, hypocrisy, ignorance of itself, love of art, of luxury, and of good Latin.
Side 18 - Be no longer a Chaos, but a World, or even Worldkin. Produce ! Produce ! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in God's name ! 'Tis the utmost thou hast in thee : out with it, then. Up, up ! Whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called Today ; for the Night cometh, wherein no man can work.
Side 9 - If thou ask to what height man has carried it in this manner, look on our divinest Symbol : on Jesus of Nazareth, and his Life, and his Biography, and what followed therefrom. Higher has the human Thought not yet reached : this is Christianity and Christendom ; a Symbol of quite perennial, infinite character ; whose significance will ever demand to be anew inquired into, and anew made manifest.
Side 4 - What are your historical Facts ; still more your biographical ? Wilt thou know a Man, above all a Mankind, by stringing-together beadrolls of what thou namest Facts ? The Man is the spirit he worked in ; not what he did, but what he became.
Side 30 - The culture which is supposed to plume itself on a smattering of Greek and Latin is a culture which is begotten by nothing so intellectual as curiosity; it is valued either out of sheer vanity and ignorance or else as an engine of social and class distinction, separating its holder, like a badge or title, from other people who have not got it.
Side 125 - Why, one has heard people, fresh from reading certain articles of the Times on the RegistrarGeneral's returns of marriages and births in this country, who would talk of our large English families in quite a solemn strain, as if they had something in itself beautiful, elevating, and meritorious in them...
Side 36 - Your ideal of human life then is, I think, that it should be passed in a pleasant undulating world, with iron and coal everywhere underneath it. On each pleasant bank of this world is to be a beautiful mansion, with two wings; and stables, and coach-houses; a moderately-sized park; a large garden and hot-houses; and pleasant carriage drives through the shrubberies.
Side 66 - That low man seeks a little thing to do, Sees it and does it : This high man, with a great thing to pursue, Dies ere he knows it.
Side 30 - Culture is then properly described not as having its origin in curiosity, but as having its origin in the love of perfection ; it is a study of perfection. It moves by the force, not merely or primarily of the scientific passion for pure knowledge, but also of the moral and social passion for doing good.