The Historic Gallery of Portraits and Paintings: Or, Biographical Review, Bind 3Vernor, Hood, and Sharpe, 1808 |
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... glory , the first use he made of his power was to abandon all the conquests that had been achieved by Trajan , and his predecessors , beyond the Euphrates ; and to make that river the boundary of the Roman empire . He demolished the ...
... glory , the first use he made of his power was to abandon all the conquests that had been achieved by Trajan , and his predecessors , beyond the Euphrates ; and to make that river the boundary of the Roman empire . He demolished the ...
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... glory , well knew how to give to the arts a new degree of splendour and elevation . It is well known that this monarch , disgusted with the grotesque compositions of the Flemish painters , took in- finite pleasure in contemplating the ...
... glory , well knew how to give to the arts a new degree of splendour and elevation . It is well known that this monarch , disgusted with the grotesque compositions of the Flemish painters , took in- finite pleasure in contemplating the ...
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... glory of the art . The Royal Academy of Painting is indebted to him for its existence ; and , notwithstanding the opposition he met with from several of its members , he never ceased employing all his interest to render it permanent ...
... glory of the art . The Royal Academy of Painting is indebted to him for its existence ; and , notwithstanding the opposition he met with from several of its members , he never ceased employing all his interest to render it permanent ...
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... glory due to Lodovico and Agostino , and the principle traits of their history , which are natu- rally connected with Annibal . Towards the end of the sixteenth century , painting had begun to degenerate ; an overcharged manner , bad ...
... glory due to Lodovico and Agostino , and the principle traits of their history , which are natu- rally connected with Annibal . Towards the end of the sixteenth century , painting had begun to degenerate ; an overcharged manner , bad ...
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... glory in his art , and who en- tertained no fears of making a rival , was so delighted with the talent that he discovered in his relation , that he took him into his house , supplied all his wants , and , by his lessons and example ...
... glory in his art , and who en- tertained no fears of making a rival , was so delighted with the talent that he discovered in his relation , that he took him into his house , supplied all his wants , and , by his lessons and example ...
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admirable Adrian afterwards Agostino Albert Durer Anne Boleyn ANNE OF CLEVES Annibal Annibal Caracci appeared artist beauty Belisarius born brother Brun Catherine CATHERINE PARR celebrated character chef d'œuvres colouring compelled composition considerable court crown daughter death desirous died dignity displayed disposition distinguished draperies Dryden Duke DUKE OF BRONTÉ Edelinck effect enemies ENGLAND engraved esteem execution exhibited fame father favour figures fortune France gave genius George Cooke glory hand happy Henry Hippocrates Holbein honour Hood & Sharpe Jane Seymour Katharine King King's labour Leibnitz Lodovico Lord Louis Louis the Fourteenth manner Marius marriage married Mary de Medicis master Medici merit mind monarch nature observed painter painting Paris passion pencil person picture portraits possessed Poussin prince Princess principal Queen Raphael reign remarkable rendered reputation Rome Rubens Seymour Sharpe Poultry Sir Joshua soon Sueur talents taste temper throne tion Vauban Vernor wife