Aubrey: A Novel, Bind 2T. N. Longman, 1804 - 390 sider |
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... virtue there is , mifery produces the far greater part . VOL . II . JOHNSON . LONDON : PRINTED FOR T. N. LONGMAN AND O. REES , PATERNOSTER - ROW . 1804 , PUBLIC LIBRARY 24356B ASTOR , LI NOX AND TALDEN LENDATIONS AUBREY :
... virtue there is , mifery produces the far greater part . VOL . II . JOHNSON . LONDON : PRINTED FOR T. N. LONGMAN AND O. REES , PATERNOSTER - ROW . 1804 , PUBLIC LIBRARY 24356B ASTOR , LI NOX AND TALDEN LENDATIONS AUBREY :
Side 27
... virtues the warrant of a heavenly avarice . The flightest diminution of love , the lofs of a beloved object , would ' have been ruin indeed ; but fortune , but money , was enjoyed only in getting rid C 2 of of it . Glorying in love ...
... virtues the warrant of a heavenly avarice . The flightest diminution of love , the lofs of a beloved object , would ' have been ruin indeed ; but fortune , but money , was enjoyed only in getting rid C 2 of of it . Glorying in love ...
Side 37
... virtue . " You will allow , that all notions which , " in their operations , prepare remorse " for the mind , should be discarded . ” . " No doubt , " said Mrs. Aubrey ; " but " furely the cultivation of taste and the " improvement of ...
... virtue . " You will allow , that all notions which , " in their operations , prepare remorse " for the mind , should be discarded . ” . " No doubt , " said Mrs. Aubrey ; " but " furely the cultivation of taste and the " improvement of ...
Side 50
... Virtue , become " imperceptible ; and , frequently , it " is not till the way back is loft in < endless intricate deviations , that we " become fenfible of the dreadful pro- grefs . I trust that Senfitive may be " kept within the ...
... Virtue , become " imperceptible ; and , frequently , it " is not till the way back is loft in < endless intricate deviations , that we " become fenfible of the dreadful pro- grefs . I trust that Senfitive may be " kept within the ...
Side 61
... virtue , and profefs affection ; therefore , having formed a plot upon the hearts of this circle , I have the more readily deter- mined to make them completely ac- quainted with the man who afks their love . A crowd is not company ...
... virtue , and profefs affection ; therefore , having formed a plot upon the hearts of this circle , I have the more readily deter- mined to make them completely ac- quainted with the man who afks their love . A crowd is not company ...
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affiftance affured anfwer Arthur Arthur-William Arthurina aſked beautiful bleffing Cæfar cauſe Charles Cowper cheft confiderable continued converfation countenance Cowfel Cowper cried dear dear boy defired Don Alvarez Donna Seraphina Elton eyes faid Aubrey faid fhe fame Fanny Rofs Fanny's father fave fecret feemed felf fettled fhall fhould fide fifter fince firſt fituation Flourish fmile fome foon fortune foul friendſhip ftate ftill fubject fuch fuffered fufficient fure furpriſe hand happineſs happy Harriet heart herſelf himſelf houfe houſe increaſed laft lefs lofs loft M'Knucle Mariton marriage Melford mind moft moidores morning moſt muft muſt myſelf obferved Oporto paffed paffion perfon pleaſure prefent preffed promiſed Pruin purpoſe raphina reafon refolved refpecting reft replied ſaid Senfitive ſhe Smyth Tallboy tell thefe theſe thofe Thornbury thought tion Titian told took underſtand uſe virtue whofe wife
Populære passager
Side 55 - But little do men perceive what solitude is, and how far it extendeth. For a crowd is not company, and faces are but a gallery of pictures, and talk but a tinkling cymbal, where there is no love.
Side 129 - All things to man's delightful use ; the roof Of thickest covert was inwoven shade Laurel and myrtle, and what higher grew Of firm and fragrant leaf; on either side Acanthus, and each odorous bushy shrub Fenced up the verdant wall ; each beauteous flower. Iris all hues, roses, and jessamine, Rear'd high their flourish'd heads between, and wrought Mosaic ; under foot the violet, Crocus, and hyacinth, with rich inlay Broider'd the ground...
Side 129 - Mosaic; under foot the violet, Crocus, and hyacinth, with rich inlay Broider'd the ground, more colour'd than with stone Of costliest emblem : other creature here, Beast, bird, insect, or worm, durst enter none, Such was their awe of man.
Side 48 - Age of Painting, about Leo the Tenth's Time, ufed this deeper and richer Kind of coloring ; and I fear one might add, that the glaring Lights introduced by Guido, went a great Way toward the Declenfion of that Art; as the enfeebling of the Colors by Carlo Marat (or, if you pleafe pleafe, by his Followers) hath fince almoft completed the Fall of it in Italy.
Side 48 - Judgment is fo apt to be guided by fome particular Attachments (and that more perhaps in this Part of Beauty than any other,) yet I am a good deal...
Side 204 - Look round !" thundered through my ear, in my father's voice, from a corner of the room. I involuntarily obeyed, and, as my eye caught his figure at his chamber-door, he raifed a vial to his mouth.
Side 201 - I loon, however, found that fleep was out of the queftion: the remembrance of my father's converfation by degrees faded away, and gave place to that of Donna Seraphina. The latter part of it revived in my imagination with double force, and brought with it an irrefiftible afiemblage of charms: the ramparts fell L 4 before before them one after another.
Side 51 - ... other Three. I fhall therefore have much lefs to fay of it, than of each of the others ; and fhall only give you Two or Three Obfervations, relating to it. As to the Color of the Body in general, the moft beautiful perhaps that ever was imagined, was that which...
Side 51 - t bouts de doigts ; it weeps all over." " —Clearly, by G— d ?" returned his lordfhip: " Le Brun was a famous " painter of Magdclens: this is a — a" — "- Titian, my lord." — " I know ; it " is equal to his Venus, by G — d...