An Introduction to Poetry for Students of English Literature |
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Side ix
... speech ....... ( The relations of poetry to the other arts ) .... Imitation and creation ..... Representation rather than communication .... ( Aristotelian and Baconian theories ) .. Universality ... Metrical form ... Emotional appeal ...
... speech ....... ( The relations of poetry to the other arts ) .... Imitation and creation ..... Representation rather than communication .... ( Aristotelian and Baconian theories ) .. Universality ... Metrical form ... Emotional appeal ...
Side xii
... speech ...... Rhythm in prose and verse distinguished ............ . 157 158 160 161 THE RELATION of Speech Stresses to Verse Réyтíм ...... . 164 Degrees of syllabic accent ...... 166 Alterations of accent to fit the metrical scheme ...
... speech ...... Rhythm in prose and verse distinguished ............ . 157 158 160 161 THE RELATION of Speech Stresses to Verse Réyтíм ...... . 164 Degrees of syllabic accent ...... 166 Alterations of accent to fit the metrical scheme ...
Side xiii
... speech to rhythm .... in English verse ) ........ ( Conflicting views as to the element of time or quantity ( Musical notation for English verse ) ..... RHYTHM AND THE INNER NATURE OF POETRY ... Rhythm as a means of beauty .... Rhythm ...
... speech to rhythm .... in English verse ) ........ ( Conflicting views as to the element of time or quantity ( Musical notation for English verse ) ..... RHYTHM AND THE INNER NATURE OF POETRY ... Rhythm as a means of beauty .... Rhythm ...
Side 5
... Speech , whose sounds con- of speech . stitute the sounds of poetry , has marvelously developed the DEFINITIONS AND ORIGINS . 5 Its use of the sounds of speech.
... Speech , whose sounds con- of speech . stitute the sounds of poetry , has marvelously developed the DEFINITIONS AND ORIGINS . 5 Its use of the sounds of speech.
Side 6
... speech to convey two different ex- periences , one of the outer , one of the inner life , in these two passages : " The double double double beat Of the thundering drum Cries , Hark ! the foes come . " " And I have felt A presence that ...
... speech to convey two different ex- periences , one of the outer , one of the inner life , in these two passages : " The double double double beat Of the thundering drum Cries , Hark ! the foes come . " " And I have felt A presence that ...
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Almindelige termer og sætninger
accent anapestic antistrophe artistic ballad beauty blank verse Browning's cadence called catalectic cesura chapter character characteristic commonly couplet criticism dactylic developed discussion drama elaborate elegy element emotion English poetry English Verse epic epic poetry Essay example experiences expression fact familiar Fancy feeling feet five-stress foot forms of poetry human imagination imitation language length less light syllable literary Lyrical Ballads lyrical poetry matter means ment method metre metrical form Milton modern narrative natural number of syllables objects passage pause pleasure poems poet poetical Professor prose purely quatrain reader reason regular represent rhetorical rhythm rhythmical rime scheme romance sense Shakspere Shakspere's Shelley's song sonnet sounds speech spirit spondee stanza stressed syllable strophes structure style suggested syllables te-tum Tennyson's tercet term theme Theodore Watts things time-intervals tion tragedy trochaic trochee truth unity unstressed utterance vers de société vowel words Wordsworth writers
Populære passager
Side 182 - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Side 111 - The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
Side 326 - THE poetry of earth is never dead : When all the birds are faint with the hot sun, And hide in cooling trees, a voice will run From hedge to hedge about the new-mown mead ; That is the Grasshopper's — he takes the lead In summer luxury, — he has never done With his delights ; for when tired out with fun He rests at ease beneath some pleasant weed.
Side 327 - That time of year thou may'st in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruined choirs, where late the sweet birds sang...
Side 145 - This royal throne of kings, this scept'red isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Side 131 - Then none was for a party ; Then all were for the state ; Then the great man helped the poor, And the poor man loved the great ; Then lands were fairly portioned ; Then spoils were fairly sold : The Romans were like brothers In the brave days of old.
Side 326 - ... When all the birds are faint with the hot sun, And hide in cooling trees, a voice will run From hedge to hedge about the new-mown mead : That is the grasshopper's. He takes the lead In summer luxury : he has never done With his delights ; for, when tired out with fun, He rests at ease beneath some pleasant weed. The poetry of earth...
Side 139 - The language, too, of these men has been adopted (purified indeed from what appear to be its real defects, from all lasting and rational causes of dislike or disgust) because such men hourly communicate with the best objects from which the best part of language is originally derived...
Side 128 - Lyrical Ballads, in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic — yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief, for the moment, which constitutes poetic faith.
Side 147 - Thoughts hardly to be packed Into a narrow act, Fancies that broke through language and escaped; All I could never be, All, men ignored in me, This, I was worth to God, whose wheel the pitcher shaped.