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THE COPYRIGHT QUESTION.

WHOEVER has contemplated of late years the state of British literature, and compared it with the works of other countries who have preceded England in the career of arts or of arms, must have become sensible that some very powerful cause has, for a long period, been at work in producing the present ephemeral character by which it is distinguished. It is a matter of common complaint, that every thing is now sacrificed to the desires or the gratification of the moment; that philosophy, descending from its high station as the instructor of men, has degenerated into the mere handmaid of art; that literature is devoted rather to afford amusement for a passing hour, than furnish improvement to a long life; and that poetry itself has become rather the reflection of the fleeting fervour of the public mind, than the well from which noble and elevated sentiments are to be derived. We have only to take up the columns of a newspaper, to see how varied and endless are the efforts made to amuse the public, and how few the attempts to instruct or improve them; and if we examine the books which lie upon every drawingroom table, or the catalogues which show the purchases that have been made by any of the numerous book clubs or circulating libraries which have sprung up in the country, we shall feel no surprise at the fleeting nature of the literature which abounds, from the evidence there afforded of the transitory character of the public wishes which require to be gratified.

It is not to be supposed, however, from this circumstance, which is so well known as to have attracted universal observation, that the taste for standard or more solid literature has either materially declined, or is in any danger of becoming extinct. Decisive evidence to the contrary is to be found in the fact, that a greater number of reprints of standard works, both on theology, history, and philosophy, have issued from the press within the last ten years, than in any former corresponding period of British history. And what is still more remarkable, and not a little gratifying, it is evident, from the very differ

ent character and price of the editions of the older works which have been published of late years, that the desire to possess these standard works, and this thirst for solid information, is not confined to any one class of society; but that it embraces all ranks, and promises, before a long period has elapsed, to extend through the middle and even the working classes in the State a mass of useful and valuable information to which they have hitherto, in great part at least, been strangers. Not to mention the great extent to which extracts from these more valuable works have appeared in Chambers' Journal, the Penny Magazines, and other similar publications of the day, it is sufficient to mention two facts, which show at once what a thirst for valuable information exists among the middle classes of society. Regularly every two years, there issues from the press a new edition of Gibbon's Rome; and Burke's Works are now published, one year, in sixteen handsome volumes octavo, for the peer and the legislator, and next year in two volumes royal octavo, in double columns, for the tradesman and the shopkeeper.

As little is the false and vitiated taste of our general literature the result of any want of ability which is now directed to its prosecution. We have only to examine the periodical literature, or criticism of the day, to be convinced that the talent which is now devoted to literature, is incomparably greater than it ever was in any former period of our history; and that ample genius exists in Great Britain, to render this age as distinguished in philosophy and the higher branches of knowledge, as the last was in military prowess and martial renown. If any one doubts this, let him compare the milk-and-water pages of the Monthly Review forty years ago, with the brilliant criticisms of Lockhart and Macaulay in the Quarterly or Edinburgh Review at this time; or the periodical literature at the close of the war, with that which is now to be seen in the standard magazines of the present day. To a person habituated to the brilliant conceptions of the periodical writers in

these times, the corresponding literature in the eighteenth century appears insupportably pedantic and tedious. Nobody now reads the Rambler or the Idler; and the colossal reputation of Johnson rests almost entirely upon his profound and caustic sayings recorded in Boswell. Even the Spectator itself, though universally praised, is by no means now generally read; and nothing but the exquisite beauty of some of Addison's papers, prevents the Delias and Lucindas, who figure in its pages, from sinking them in irrecoverable obscu rity.

Here then is the marvel of the present time. We have a population, in which, from the rapid extent of knowledge among all classes, a more extended class of readers desiring information is daily arising; in which the great and standard works of literature in theology, philosophy, and his tory, are constantly issuing in every varied form from the press; in which unparalleled talent of every description is constantly devoted to the prosecution of literature; but in which the new works given forth from the press are, with very few exceptions, frivolous or ephemeral, and the whole serious talents of the nation are turned into the perishable channels of the daily, weekly, monthly, or the quarterly press. That such a state of things is anomalous and extraordi. nary, few probably will doubt; but that it is alarming and prejudicial in a national point of view, and may, if it continues unabated, produce both a degradation of the national character, and, in the end, danger or ruin to the national fortunes, though not so generally admitted, is not the less true, nor the less capable of demonstration.

In the first place, this state of things, when the whole talent of the nation is directed to periodical literature, or works of evanescent interest, has a tendency to degrade the national character, because it taints the fountains from which the national thought is derived. We possess, indeed, in the standard literature of Great Britain, a mass of thoughts and ideas which may well make the nation immortal, and which, to the end of time, will constitute the fountains from which grand and generous thoughts will be drawn by all future races of men. But the

existence of these standard works is not enough; still less is it enough in an age of rapid progress and evident tránsition, such as the present, when new interests are every where arising, new social and political combinations emerging, new national dangers to be guarded against, new national virtues to be required. For a nation in such a state of society to remain satisfied with its old standard literature, and not to aspire to produce any thing which is at once durable and new, is the same solecism as it would be for a man to remain content with a wardrobe of fifty years' standing, and reso lutely to resist the introduction of any of the fashions or improvements of later times. A nation which aspires to retain its eminence either in arts or in arms, must keep a-breast of its neighbours; if it does not advance, it will speedily fall behind, be thrown into the shade, and decline. It is not sufficient for England to refer to the works of Milton, Shakspeare, Johnson, or Scott; she must prolong the race of these great men, or her intellectual career will speedily come to a close. Short and fleeting indeed is the period of transcendant greatness allotted to any nation in any branch of thought. The moment it stops, it begins to recede; and to every empire which has made intellectual triumphs, is prescribed the same law which was felt by Napoleon in Europe and the British in India, that conquest is essential to existence.

But if the danger to our national literature is great, if the intellect and genius of Britain does not keep pace with the high destinies to which she is called, and the unbounded mental activity with which she is surrounded, much more serious is the peril thence inevitably accruing to the national character and the public fortunes. Whence is it that the noble and generous feelings are derived, which in time past have animated the breasts of our patriots, our heroes, and our legislators? Where, but in the immortal pages of our poets, our orators, and historians? What noble sentiments has the air of "Rule Britannia" awakened; how many future Nelsons may the "Mariners of England," or Southey's inimitable "Lives of our Naval Heroes" produce? Sentiments such as these immortal works embody, "thoughts that breathe, and words

that burn," are the true national inheritance; they constitute the most powerful elements of national strength, for they form the character, without which all others are unavailing; they belong alike to the rich and to the poor, to the prince and to the peasant; they form the unseen bond which links together the high and the low, the rich and the poor; and which, penetrating and pervading every class of society, tend both to perpetuate the virtues which have brought us to our present greatness, and arrest the decline, which the influx of wealth, and the prevalence of commercial ideas, might otherwise have a tendency to produce. What would be the effect upon the fortunes of the nation, if this pure and elevated species of literature were to cease amongst us; if every thing were to be brought down to the cheapest market, and adapted to the most ordinary capacity; if cutting articles for reviews, or dashing stories for magazines, were henceforth to form our staple literature; and the race of the Miltons, the Shakspeares, the Grays, and the Campbells, was to perish under the cravings of an utilitarian age? We may safely say that the national character would decline, the national spirit become enfeebled; that generous sentiments would be dried up under the influence of transient excitement, and permanent resolve be extinguished by the necessity of present gain; and that the days of Clive and Wellesley in India, and of Nelson and Wellington in Europe, would be numbered among the things that have been.

But if such dangers await us from the gradual extinction of the higher and nobler branches of our literature, still more serious are the evils which are likely to arise from the termination of the more elevated class of works in history, philosophy, and the ology, which are calculated and are fitted to guide and direct the national thought. The dangers of such a calamity, though not so apparent at first sight, are in reality still more serious. For whence is the thought derived which governs the world; the spirit which guides its movements; the rashness which mars its fortunes; the wisdom which guards against its dangers? Whence but from the great fountains of original thought, which are never unlocked in any age but to

the few master-spirits thrown at distant intervals by God among mankind. The press, usually and justly deemed so powerful; the public voice, whose thunders shake the land; the legislature, which embodies and perpetuates by legal force its cravings, are themselves but the reverberation of the thought of the great of the preceding age. The tempests sweep

round and agitate the globe; but it is to the wisdom of Juno alone that Eolus opens the cavern of the winds.

This truth is unpalatable to the masses; it is distasteful to legislators; it is irksome to statesmen who conceive they enjoy, and appear to have, the direction of affairs; but it is illus trated by every page of history, and a clear perception of its truth constitutes one of the most essential requisites of wise government. In vain does the ruling power, whether monarchical, aristocratic, or republican, seek to escape from the government of thought: it is itself under the direction of the great intellects of the preceding age. When it thinks it is original, when it is most fearlessly asserting its boasted inherent power of self-government, it is itself obeying the impulse communicated to the human mind by the departed great. All the marked movements of mankind, all the evident turns or wrenches communicated to the current of general opinion, have arisen from the efforts of individual genius. The age must have been prepared for them, or their effect would have been small; but the age without them would never have discovered the light: the reflected sunbeams must have been descending on the mountains, but his earliest rays strike first on the summit.

Who turned mankind from the abuses of the Roman Catholic church, and preserved the primeval simplicity of Christianity from the pernicious indulgences of the Church of Rome, and opened a new era of religious light upon both hemispheres? Martin Luther. Who fearlessly led his trembling mariners across the seemingly interminable deserts of the Atlantic wave, and discovered at length the new world, which had haunted even his infant dreams? Christopher Columbus. Who turned mankind aside from the returning circle of syllogistic argument to the true method of philosophic investigation? Lord Bacon.

That thing of radiance and of love-
Sweet Maude, who in the chestnut grove
So prized and perjured died.

Oh but to watch her on this breast,
Sink like a folded flower to rest
Once-only once-as in that time-
She free from falsehood-I from crime!

The bow of heaven had less of grace
In valley-waters glass'd and bent,—
The very glory of her face
Fresh lustre to creation lent.

This heart with fire was all too full;
By winding brook and mossy stone,
And thunderous wave, and woodland lull,
I loved with her the Beautiful,
And lived for her alone.

I sought one eve our trysting-tree,
The linden bough was budding free,
But wild December stript it bare,
Before again she met me there.

She came at last. I drank the start,
The blush her treacherous cheek betray'd.
Enough-the life-tide of her heart
Was crimson on my blade.

I had a right-who taught her first
Earth's only boon, true love, to know—
When wrong'd in every dream I nurst,
To snatch her from the last, the worst
Of sorrows here below.

Not sweeter went our early hours,
Beneath the happy chesnut flowers,
Than wore that first red night away,
When I and Murder watch'd her clay!

You know the rest-ye felon's friends!—
The sands of hideous grief are run;
Nor tell me, when Earth's thraldom ends,
That Heaven's is but begun.

I dare not deem the creed divine,

That from this parting hour would tear
The trust, that horrors like to mine
May from the Judgment-threshold's shine
The blot of bloodshed wear!

From my life's page, the hand of shame
Swept hope, love, memory, fortune, name.
The rest-Remorse, fear, frenzied woe-
Remember THOU to whom I go!

THE LEGEND OF ST ROSALIE.

BY DELTA.

FAIR art thou, Sicily! in all his round,
Shines not the sun on lovelier land than thine;
With gorgeous olive groves thy hills are crown'd,
And o'er thy vales the pomegranate and vine
Spread rich in beauty; halcyon seas around
Thy shores breathe freshness, making half-divine
An earthly climate; eye hath nowhere seen
Heaven brighter in its blue, earth in its green!

But of these boasts I sing not now-my tale
Is of an ancient pestilence, when the power
Of death hung o'er thee, like a sable veil,
And desolation ruled each awful hour;

When man's heart sank, and woman's cheek grew pale,
And graves were dug in every garden-bower,
And proud Palermo bow'd her spiry head

In silent gloom-a city of the dead!

Hush'd was the voice of traffic on each street;

Within the market-place the grass sprang green; Friends from each other shrank with hasty feet,

When on the porch the plague's red-cross was seen; The clocks had long forgotten to repeat

Time's warning hours; and where had revel been
On days of carnival, with wheels of dread
The dead-cart roll'd, and homes gave out their dead.

A lurid vapour veil'd the sun from view,

And the winds were not; strangers fled the shore; Lay in the ports the ship without a crew,

The heat-warp'd fisher-boat and rotting oar;
Wander'd the house-dog masterless, and grew
So fierce with famine, the gaunt looks he wore
Betoken'd madness; broken was each tie
That sweetens life, or links humanity.

Thus week on week crawl'd on, and day by day,
Down to the dreary caverns of the grave,

Pass'd in this harvest-home of death away,

Unmark'd, unmourn'd, the beauteous and the brave, The white-hair'd sire, and infant of a day; No funeral had a single follower, save

The hirelings who for wine or booty schemed,

And, while they trode the verge of hell, blasphemed;

Till one gray morn, when all was drear and dumb,
Arose, far off, the sound as of a sea,

Or wailing of the wild winds, when they come
To strip the frail leaves from October's tree:
Now nearer-'twas the multitudinous hum

Of human tongues. What could the meaning be?
The timid and the plague-struck left their beds,
And all the roofs were clad with gazing heads!

And lo! a gray-hair'd abbot, in the van

Of a tumultuous, motley, rushing crowd,

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