CHAPTER I

A MANCHESTER SWEDENBORGIAN AND A LIVERPOOL LITERARY 1 COTERIE

It was in the year 1801, whilst yet at school, that I made my first literary acquaintance. This was with a gentleman now dead, and little, at any time, known in the literary world; indeed, not at all; for his authorship was confined to a department of religious literature as obscure and as narrow in its influence as any that can be named-viz. Swedenborgianism.

Already, on the bare mention of that word, a presumption arises against any man, that, writing much (or writing at all) for a body of doctrines so apparently crazy as those of Mr. Swedenborg, a man must have bid adieu to all good sense and manliness of mind. Indeed, this is so much of a settled case, that even to have written against Mr. Swedenborg would be generally viewed as a suspicious act, requiring explanation, and not very easily admitting of it. Mr. Swedenborg I call him, because I understand that his title to call himself "Baron "is imaginary; or rather he never did call himself by any title of honour-that mistake having originated amongst his followers in this country, who have chosen to designate him as the "Honourable" and as the "Baron Swedenborg, by way of translating, to the ear of England, one or other of those irrepresentable distinctions, Legations-Rath, Hofrath, &c., which are tossed about with so

some

1 From Tait's Magazine for February 1837, where the title was Literary Novitiate."-M.

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much profusion in the courts of continental Europe, on both sides the Baltic. For myself, I cannot think myself qualified to speak of any man's writings without a regular examination of some one or two among those which his admirers regard as his best performances. Yet, as any happened to fall in my way, I have looked into them; and the impression left upon my mind was certainly not favourable to their author. They laboured, to my feeling, with two opposite qualities of annoyance, but which I believe not uncommonly found united in lunatics-excessive dulness or matter-of-factness in the execution, with excessive extravagance in the conceptions. The result, at least, was most unhappy: for, of all writers, Swedenborg is the only one I ever heard of who has contrived to strip even the shadowy world beyond the grave of all its mystery and all its awe. From the very heaven of heavens, he has rent away the veil ; no need for seraphs to "tremble while they gaze"; for the familiarity with which all objects are invested makes it impossible that even poor mortals should find any reason to tremble. Until I saw this book, I had not conceived it possible to carry an atmosphere so earthy, and steaming with the vapours of earth, into regions which, by early connexion in our infant thoughts with the sanctities of death, have a hold upon the reverential affections such as they rarely lose. In this view, I should conceive that Swedenborg, if it were at all possible for him to become a popular author, would, at the same time, become immensely mischievous. He would dereligionize men beyond all other authors whatsoever.

Little could this character of Swedenborg's writings-this, indeed, least of all—have been suspected from the temper, mind, or manners of my new friend. He was the most spiritual-looking, the most saintly in outward aspect, of all human beings whom I have known throughout life. He was rather tall, pale, and thin; the most unfleshly, the most of a sublimated spirit dwelling already more than half in some purer world, that a poet could have imagined. He was already aged when I first knew him, a clergyman of the Church of England; which may seem strange in connexion with his Swedenborgianism; but he was, however, so. He was rector of a large parish in a large town, the more active duties

of which parish were discharged by his curate; but much of the duties within the church were still discharged by himself, and with such exemplary zeal that his parishioners, afterwards celebrating the fiftieth anniversary, or golden jubilee of his appointment to the living (the twenty-fifth anniversary is called in German the silver-the fiftieth, the golden jubilee), went farther than is usual in giving a public expression and a permanent shape to their sentiments of love and veneration. I am surprised, on reflection, that this venerable clergyman should have been unvexed by Episcopal censures. He might, and I dare say would, keep back the grosser parts of Swedenborg's views from a public display; but, in one point, it would not be easy for a man so conscientious to make a compromise between his ecclesiastical duty and his private belief; for I have since found, though I did not then know it, that Swedenborg held a very peculiar creed on the article of atonement. From the slight pamphlet which let me into this secret I could not accurately collect the exact distinctions of his creed; but it was very different from that of the English Church.

However, my friend continued unvexed for a good deal more than fifty years, enjoying that peace, external as well as internal, which, by so eminent a title, belonged to a spirit so evangelically meek and dovelike. I mention him chiefly for the sake of describing his interesting house and household, so different from all which belong to this troubled age, and his impressive style of living. The house seemed almost monastic; and yet it stood in the centre of one of the largest, busiest, noisiest towns in England; and the whole household seemed to have stepped out of their places in some Vandyke, or even some Titian, picture, from a forgotten century and another climate. On knocking at the door, which of itself seemed an outrage to the spirit of quietness which brooded over the place, you were received by an ancient manservant in the sober livery which belonged traditionally to Mr. 's family; for he was of a gentleman's descent,

1 As De Quincey has divulged the name of this clergyman in his Autobiography (see vol. i. pp. 136-138), there is no need for concealing it here. He was the Rev. John Clowes, Rector of St. John's Church, Manchester, and we shall substitute the full name for the blank in the sequel.-M.

and had had the most finished education of a gentleman. This venerable old butler put me in mind always, by his noiseless steps, of the Castle of Indolence, where the porter or usher walked about in shoes that were shod with felt, lest any rude echoes might be roused. An ancient housekeeper was equally venerable, equally gentle in her deportment, quiet in her movements, and inaudible in her tread. One or other of these upper domestics, for the others rarely crossed my path,— ushered me always into some room expressing by its furniture, its pictures, and its coloured windows, the solemn tranquillity which, for half a century, had reigned in that mansion. Among the pictures were more than one of St. John, the beloved apostle, by Italian masters. Neither the features nor the expression were very wide of Mr. Clowes's own countenance; and, had it been possible to forget the gross character of Swedenborg's reveries, or to substitute for these fleshly dreams the awful visions of the Apocalypse, one might have imagined easily that the pure, saintly, and childlike evangelist had been once again recalled to this earth, and that this most quiet of mansions was some cell in the island of Patmos. Whence came the stained glass of the windows I know not, and whether it were stained or painted. The revolutions of that art are known from Horace Walpole's account; and, nine years after this period, I found that, in Birmingham, where the art of staining glass was chiefly practised, no trifling sum was charged even for a vulgar lacing of no great breadth round a few drawing-room windows, which one of my friends thought fit to introduce as an embellishment. These windows, however, of my clerical friend were really "storied windows,' having Scriptural histories represented upon them. A crowning ornament to the library or principal room was a sweet-toned organ, ancient, and elaborately carved in its wood-work, at which my venerable friend readily sate down, and performed the music of anthems as often as I asked him, sometimes accompanying it with his voice, which was tremulous from old age, but neither originally unmusical, nor (as might be perceived) untrained.

Often, from the storms and uproars of this world, I have looked back upon this most quiet and, I believe, most innocent abode (had I said saintly I should hardly have erred), con