Studies in Literature, 1789-1877C.K. Paul, 1878 - 523 sider |
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Side 4
... becoming more difficult than to understand Hume ; what was the quickening air and light of philosophy to our fathers , changes for us into a theosophic mist , vaguely luminous ; in the architecture of the Gothic revival , we are told ...
... becoming more difficult than to understand Hume ; what was the quickening air and light of philosophy to our fathers , changes for us into a theosophic mist , vaguely luminous ; in the architecture of the Gothic revival , we are told ...
Side 37
... becomes rhetoric degrades from its true function , the impassioned argument of a poet who chooses prose as his means of expression has in it some- thing of light shining through the veil from his face to whom God speaks " as a man ...
... becomes rhetoric degrades from its true function , the impassioned argument of a poet who chooses prose as his means of expression has in it some- thing of light shining through the veil from his face to whom God speaks " as a man ...
Side 41
... become familiar with recurrent names of hill and stream , until the least musical of them , with its sharp northern edge , acquires a pleasantness like the keen flavour of some rough - rinded fruit . " Flowers peep , trees bud , boughs ...
... become familiar with recurrent names of hill and stream , until the least musical of them , with its sharp northern edge , acquires a pleasantness like the keen flavour of some rough - rinded fruit . " Flowers peep , trees bud , boughs ...
Side 48
... - distrustful . The transcendental tendencies in nineteenth century literature become apparent in connection with the imaginative feeling for external nature , and in connection with the 48 The Transcendental Movement .
... - distrustful . The transcendental tendencies in nineteenth century literature become apparent in connection with the imaginative feeling for external nature , and in connection with the 48 The Transcendental Movement .
Side 53
... become manifest through collective humanity . In our age a religious statesman writes his " God in History , " ex- pressly enriching his theistic doctrine with certain elements commonly called pantheistic , and tracing the continuously ...
... become manifest through collective humanity . In our age a religious statesman writes his " God in History , " ex- pressly enriching his theistic doctrine with certain elements commonly called pantheistic , and tracing the continuously ...
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Almindelige termer og sætninger
admirable appeared ardour artist aspirations beauty become Browning's Byron calm character Christian Church Coleridge conception conscience creed critical Daniel Deronda deism democracy democratic Deronda divine doctrine duty earth Edgar Quinet eighteenth century emotions English evil external nature eyes fact faith feeling force France freedom French French Revolution gaze genius George Eliot happy heart heaven highest hope Hugo's human idea ideal imagination instincts intellect La Chênaie Lamennais Landor Leaves of Grass less light literature living manhood mediæval Middlemarch mind Mirah moral movement nation ness never noble passion perfect period philosophy poems poet poetical poetry political possessed present prophet prose Quinet race religion religious Revolution Sainte-Beuve scientific seemed sense Shelley society song sorrow soul spirit sympathy tendency tender Tennyson Théodore de Banville things thought tion transcendental true truth verse Victor Hugo voice Walt Whitman Whitman words Wordsworth writings youth
Populære passager
Side 101 - FLOWER in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand, Little flower — but if I could understand What you are, root and all, and all in all, I should know what God and man is.
Side 172 - I STROVE with none, for none was worth my strife; Nature I loved, and next to Nature, Art; I warmed both hands before the fire of life; It sinks, and I am ready to depart.
Side 522 - Prais'd be the fathomless universe, For life and joy, and for objects and knowledge curious, And for love, sweet love — but praise! praise! praise! For the sure-enwinding arms of cool-enfolding death. Dark mother always gliding near with soft feet, Have none chanted for thee a chant of fullest welcome? Then I chant it for thee, I glorify thee above all, I bring thee a song that when thou must indeed come, come unfalteringly.
Side 203 - Then comes the statelier Eden back to men : Then reign the world's great bridals, chaste and calm : Then springs the crowning race of humankind. May these things be ! ' Sighing she spoke
Side 224 - There shall never be one lost good! What was, shall live as before; The evil is null, is naught, is silence implying sound; What was good shall be good, with, for evil, so much good more; On the earth the broken arcs; in the heaven a perfect round.
Side 52 - Soft roll your incense, herbs, and fruits, and flowers, In mingled clouds to him whose sun exalts, Whose breath perfumes you, and whose pencil paints.
Side 200 - AN old, mad, blind, despised, and dying king ; Princes, the dregs of their dull race, who flow Through public scorn — mud from a muddy spring ; Rulers, who neither see, nor feel, nor know. But leech-like to their fainting country cling...
Side 216 - While man knows partly but conceives beside, Creeps ever on from fancies to the fact, And in this striving, this converting air Into a solid he may grasp and use, Finds progress, man's distinctive mark alone, Not God's, and not the beasts' : God is, they are, Man partly is and wholly hopes to be.
Side 209 - I wanted warmth and colour which I found In Lancelot - now I see thee what thou art, Thou art the highest and most human too, Not Lancelot, nor another. Is there none Will tell the King I love him tho
Side 224 - All we have willed or hoped or dreamed of good shall exist ; Not its semblance, but itself; no beauty, nor good, nor power Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour. The high that proved too high, the heroic for earth too hard, The passion that left the ground to lose itself in the sky, Are music sent up to God by the lover and the bard ; Enough that he heard it once: we shall hear it by-and-by.