Elementary Composition and RhetoricLeach, Shewell & Sanborn, 1894 - 286 sider |
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Side 45
... Merchant of Venice , act v , sc . i . sc . i . 8 Ibid . act i , sc . i . 9 Emerson : Intellect . 5 Shakespeare : 7 Ibid . act v , " As water does a sponge , so the moonlight EXAMPLES OF SIMILE . 45.
... Merchant of Venice , act v , sc . i . sc . i . 8 Ibid . act i , sc . i . 9 Emerson : Intellect . 5 Shakespeare : 7 Ibid . act v , " As water does a sponge , so the moonlight EXAMPLES OF SIMILE . 45.
Side 160
... Merchant of Venice , where the story of Jessica runs as an undercurrent below the main action . Unity and proportion go together . If the greater part of the space is given to the leading series of events , and these are kept skilfully ...
... Merchant of Venice , where the story of Jessica runs as an undercurrent below the main action . Unity and proportion go together . If the greater part of the space is given to the leading series of events , and these are kept skilfully ...
Side 260
... Merchant of Venice , and if so , why ? ( 6 ) The Dramatic Defects of Comus as Compared with a Play of Shakespeare . ( 7 ) The Mythological Confusion in Comus . ( 8 ) The Compound Epithets in Comus and Para- dise Lost . ( 9 ) Milton's ...
... Merchant of Venice , and if so , why ? ( 6 ) The Dramatic Defects of Comus as Compared with a Play of Shakespeare . ( 7 ) The Mythological Confusion in Comus . ( 8 ) The Compound Epithets in Comus and Para- dise Lost . ( 9 ) Milton's ...
Side
... MERCHANT OF VENICE . Edited by KATHARINE LEE BATES , Wellesley College . SELECTIONS FROM THE SPEECHES OF HENRY CLAY . Edited by CHAS . H. RAYMOND , Lawrenceville School , N. J. SCOTT'S LADY OF THE LAKE . Edited by JAMES ARTHUR TUFTS ...
... MERCHANT OF VENICE . Edited by KATHARINE LEE BATES , Wellesley College . SELECTIONS FROM THE SPEECHES OF HENRY CLAY . Edited by CHAS . H. RAYMOND , Lawrenceville School , N. J. SCOTT'S LADY OF THE LAKE . Edited by JAMES ARTHUR TUFTS ...
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Almindelige termer og sætninger
Addison appear arguments arrangement athletics attention beauty beginning borrowed Brutus Burke Cæsar chap character clauses clear Compare composition Comus CONCLUSION connection Describe diction discourse discussion effect English Esther expression facts faults Find examples forcible French George Eliot give hearers illustrate important INTRODUCTION Ivanhoe Johnson Julius Cæsar KATHARINE LEE BATES language leading letter long sentences Lycidas Macaulay Macaulay's Essay Marmion meaning Merchant of Venice metaphor methods metonymy narrative natural object obscure orator paragraph Periodic sentences person phrases play poem pronoun proposition prose Puritans purpose question reader relation Relative clauses Shakespeare short Shylock Silas Marner simile sion Sketch speaker speech style suggested Tell the story tence Tennyson Thackeray theme things thought tion topics unity variety vocabulary Wellesley College Whig whole words writing young writer
Populære passager
Side 94 - The question with me is not whether you have a right to render your people miserable, but whether it is not your interest to make them happy. It is not what a lawyer tells me I may do, but what humanity, reason, and justice tell me I ought to do.
Side 47 - Full many a glorious morning have I seen Flatter the mountain-tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face And from the forlorn world his visage hide, Stealing unseen to west with this disgrace.
Side 96 - Here thou, great ANNA ! whom three realms obey, Dost sometimes counsel take — and sometimes tea.
Side 147 - LONG lines of cliff breaking have left a chasm; And in the chasm are foam and yellow sands; Beyond, red roofs about a narrow wharf In cluster; then a moulder'd church; and higher A long street climbs to one tall-tower'd mill; And high in heaven behind it a gray down With Danish barrows; and a hazelwood, By autumn nutters haunted, flourishes Green in a cuplike hollow of the down.
Side 53 - Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude ; Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude.
Side 59 - Such are their ideas, such their religion, and such their law. But as to our country, and our race, as long as the well-compacted structure of our church and state, the sanctuary, the holy of holies of that ancient law, defended by reverence, defended by power, a fortress at once and a temple...
Side 179 - I remember, the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been, Would he had blotted a thousand.
Side 111 - The temper and character which prevail in our colonies are, I am afraid, unalterable by any human art. We cannot, I fear, falsify the pedigree of this fierce people, and persuade them that they are not sprung from a nation in whose veins the blood of freedom circulates.
Side 52 - * And give to rapture all thy trembling strings. From Helicon's harmonious springs A thousand rills their mazy progress take: The laughing flowers that round them blow, Drink life and fragrance as they flow. Now the rich stream of music winds along, Deep, majestic, smooth, and strong, Through verdant vales, and Ceres...
Side 259 - But there are a few characters which have stood the closest scrutiny and the severest tests, which have been tried in the furnace and have proved pure, which have been weighed in the balance and have not been found wanting, which have been declared sterling by the general consent of mankind, and which are visibly stamped with the image and supericription of the Most High. These great men we trust that we know how to prize; and of these was Milton.