hats of the same, and all their accoutrements answerable to such noble and princely personages, as they concealed under their vizards, and so they instantly fell into a new dance: at the end whereof they took forth the Ladies, and danced with them; and so well was the Queen pleased with her entertainment, that she vouchsafed to make herself the head of their revels, and graciously to adorn the place with her personal dancing: much of the night being thus spent with variety of dances, the Masquers made a conclusion with a second new dance. At the Queen's parting on Wednesday in the afternoon, the Gardener with his man and boy and three handsome country maids, the one bearing a rich bag with linen in it, the second a rich apron, and a third a rich mantle, appear all out of an arbour in the lower garden, and meeting the Queen, the Gardener presents this speech. Gardener. Stay, goddess! stay a little space, Or can utter now for woe Of your parting hast'ned so. Gifts these are, such as were wrought By their hands that them have brought, 1 "The presents are described in Mr. Chamberlain's letter as 'a dainty coverled or quilt, a rich carquenet, and a curious cabinet to the value in all of £1,500.'"-Nichols. Home-bred things, which they presumed, With my flowery incantation, At your parting. Come, feat lasses, To the mistress of our joys; With a mournful parting song. A song of three voices continuing while the presents are delivered and received. Will you revive, and straight destroy? New mirth to tears convert? O that ever cause of gladness 2. Now as we droop, so will these flowers, Nothing avail them heav'nly showers Without your heav'nly light. When the glorious sun forsakes us, Winter quickly overtakes us. 3. Yet shall our prayers your ways attend, When you are gone; And we the tedious time will spend, Rememb'ring you alone. Welcome here shall you hear ever, But the word of parting never. Thus ends this ample entertainment, which as it was most nobly performed by the right honourable the lord and lady of the house, and fortunately executed by all that any way were actors in it, so was it as graciously received of her Majesty, and celebrated with her most royal applause. THE DESCRIPTION, SPEECHES, AND SONGS, of The LORDS' MASQUE, PRESENTED IN THE BANQUETING-HOUSE ON THE MARRIAGE NIGHT OF THE HIGH AND MIGHTY COUNT PALATINE, AND THE ROYALLY DESCENDED THE LADY ELIZABETH.1 I have now taken occasion to satisfy many, who long since were desirous that the Lords' masque should be published, which, but for some private lets, had in due time come forth. The Scene was divided into two parts. From the roof to the floor, the lower part being first discovered (upon the sound of a double consort, exprest by several instruments, placed on either side of the room) there appeared a wood in prospective, the 1 The marriage was celebrated on Shrove-Sunday, 14 February, 1612-13. "Of the Lords' Masque," writes Chamberlain, 'I hear no great commendation save only for riches, their devices being long and tedious, and more like a play than a masque' (Winwood's "Memorials," iii. 435). But, as Nichols remarks, Chamberlain was not present. Those who were dissatisfied with Campion's masque must have been hard to please. It cost £400 (Nichols' "Progresses of King James," ii. 622),-a small sum compared with the lavish expenses frequently incurred on such occasions. innermost part being of relief, or whole round, the rest painted. On the left hand from the seat was a cave, and on the right a thicket, out of which came Orpheus, who was attired after the old Greek manner, his hair curled and long, a laurel wreath on his head, and in his hand he bare a silver bird; about him tamely placed several wild beasts: and upon the ceasing of the consort Orpheus spake. Orpheus. Again, again, fresh kindle Phobus' sounds, Allay the fury that her sense confounds, The consorts both sound again, and Mania, the goddess of madness, appears wildly out of her cave. Her habit was confused and strange, but yet graceful; she as one amazed speaks. Mania. What powerful noise is this importunes me, Orpheus. Mania! Mania. Hah! Orpheus. Brain-sick, why start'st thou so? Approach yet nearer, and thou then shall know The will of Jove, which he will breathe from me. |