Colet, Dean, 147, 210, 212, 213,
218, 219

Collège de France, origin of, 217
Colonna, Vittoria, 274
Columbus, Christopher, 150
Commines, Philippe de, a diplo-
matist-historian,

163, 164;

his view of the historian's
office, 163

Comus, Milton's, 353, 354
Confidential servant, the, in
drama, 340 n.

Confrérie de la Passion, the, 196,
306

Conrad, Joseph, 277

Conversino Giovanni di, 121, 123
Convito, Dante's, 73, 74
Copland, William, 185
Coquillart, Guillaume, 181
Cordier, Mathurin, 217
Corneille, 307, 309, 339; Spanish
influence on, 364, 391
Cortegiano, Castiglione's, 273,
274, 275, 325

Cosmo de' Medici, 126, 127
Coster, Dr. Samuel, 378
Courthope, W. J., on Machia-
velli, 170

Coverdale, Miles, 234
Cowley, Abraham, 369
Crashaw, Richard, 368, 369
Crétin, Guillaume, 182, 183
Cruz, Juan de la, 265
Cueva, Juan de la, 307
Cujas, Jacques, 225

Culture, Renaissance, mission-
aries of, 146-148

Cunningham,

society, 86

W., on feudal

Dante, the age of, 45-80; edu-
cation in, 50, 57; politics in,
54-57; allegory and dream as
used by writers in, 58-61;
satirists and moralists in, 61-
64
Dasent, Sir George Webbe, 33
Decameron, Boccaccio's, 82, 83,
84

Decembrio, Uberto, 121, 123
Dekker, Thomas, 187, 370
De la Salle, Antoine, 196
De Monarchia, Dante's, 73
De Morgan, William, 261
Denisot, Nicole, 262

Der arme Heinrich, Hartmann
von Ane's, 25, 26

Descartes, René, 309; at Stock-
holm, 378

Des Essarts, Nicholas Herberay,

276

Despériers, Bonaventure, 244
D'Etaples, Jaques Lefèvre
(Faber Stapulensis), 234
Deventer, as mission-station of
Renaissance culture, 83, 85,
147, 209

De Vulgari Eloquentia, Dante's,
73

Monte-

Dial of Princes, Guevara's, 274;
translations of, 275
Diana Enamorada,
mayor's, 276, 277
Dickens, Charles, 302
Dindimus, King of the Brah-
mins, 19

Divina Commedia, Dante's, im-
portance of Beatrice in, 75,
76, 77; metre of, 77; ex-
ternal nature in, 77; charac-
teristics of, 77, 78; influence
of, on modern writers, 77, 78
Divines, fourteenth century, 82
Dolet, Etienne, 239, 259
Dominicans, religious order of
the, 51

Don Juan, origin of the charac-
ter of, in drama and fiction,
308

Donne, John, 200, 368
Don Quixote, 319 n.; its motive

and meaning, 321-323; its
construction, 323; its sources,
its greatness, and its literary
influence, 824

Dorat, Jean, 292, 293
Douglas, Gavin, 34, 161
Drama, in the transit through

1492, 191-201; origin of, 191,
192, 194, 195; origin of in
England, 201; development
of, 303-308

Dramatic unities, origin of the,
207, 208

Drayton, Michael, 370

Dream, device of the, in medie-
val poetry, 60, 61

Du Bartas, Guillaume Salluste,
295, 388

Du Bellay, Joachim, his Defense
et Illustration, 289; his son-
nets, 291; 293, 358, 359
Dunbar, William, 161
Duns Scotus, 53
Duplessis-Mornay, Philippe de,

Erzilla of Luñiga, Alonso, 278
Escriva, Juan, 197
Essais, Montaigne's, 325; form
of, 252; psychology of, 252,
253, 254; politics in, 253;
education in, 254; literary
criticism, in, 255
Etienne family, the, 259
Eulenspiegel, German folk-tale
of, 185

Europe, secularisation of, by
the late Humanists and Re-
formers, 237, 238
Euphues, Lyly's, 275
Euphuism, 269-272
Everyman, 201

F

FABLE, the form of the, 68, 69
Fabliau, the French, 68, 69
Faerie Queene, Spenser's, its

content, 316, 317; its stanza
and diction, 317, 318; 325
Fastnachtspiel, the, 196, 197
Faust-books, 187

Fiammetta, Boccaccio's, the first
novel of psychology, 95
Fichte, on Cervantes, 320
Ficino, Marsilio, 126, 140
Fielding, Henry, 302
Figaro, origin of the character
of, 198

Figgis, J. N., on Machiavelli and
Nietzsche, 167; on Erastus,
257

Fischart, Johann, 250
Fitzgerald, Edward, 339

Fitzmaurice-Kelly, Prof. J., on

Celestina, 200; on Boscan, 282
Flamenca, medieval love-tale of,

21

Fletcher, John, 370

Floral games, the, of the Trou-
badours, 96

Florence, as mission-station of
Renaissance culture, 83, 99,
124, 125, 126, 127

Flores and Blanchefleur, tale of,

sources and variants, 20, 21
Folengo, Girolamo, 250 and n.
Folkbooks, German, 185-188
'Folly', literature of, 183-185;
Brandt's Narrenschiff, 183,
184; Erasmus' Encomium
Moriæ, 184

DD

Goethe, on Tasso, 314; on
Cervantes, 320; and Cal-
deron, 339; 358
Gogol, Nicolai, 322
Golden Legend, source of Long-
fellow's, 25

Gongora, Luis de, 273

Gottfried von Strassburg, 25
Gower, John, 19, 20, 114, 115
Gracian, Balthasar, his maxims,
362; his romance of Critilo,
363

Gracioso, character of the, in
Spanish drama, 340 and n.
Graham, W., on feudalism and
its decline, 85

Grail, story of the, 14, 15
Gray, Thomas, 33

Greek scholars in Italy, 120, 121,
122, 123

Greene, Robert, 187, 366, 367
Grettla, saga of, 33

Greville, Fulke, Lord Brooke,
on Sir Philip Sidney, 296
Grimald, Nicholas, 261
Grimmelshausen, Christoffel von,
357, 358

Gringore, Pierre, 183

Grobian, the folk-hero, 185,

Hadloub, Johannes, 63
Hadrian IV, Pope, 55
Hakluyt, Richard, 278
Hall, Joseph, 371
Hamlet, source of, 29

Hardy, Alexandre, plays of,
305, 306, 307, 340
Harington, Sir John, 176
Hartmann von Aue, 25
Harvey, Gabriel, and Euphu-
ism, 269; his literary club,
297; 391

Hauk Erlendsson, 37
Haustlong, tale of, 40
Hawes, Stephen, 115, 116
Hebraism, influence of, 141, 149,
150, 151, 152, 153, 168, 227,
230, 234, 264, 383
Hegius, Alexander, 147
Heimskringla, the, 35, 36, 38
Heinrich of Mayence, 178
Heinrich von Meissen (Frauen-
lob), 62

Hellenism, 121, 127, 138, 168,
212

Heliodorus, 21

IBSEN, Hendrik, 33

Idylls of the King, quoted, 15,
43; motto of, 17 n.
Igor, The Armament of, 3, 4;
5, 6, 8
Iliad, Homer's, 32
'Illustrious

iano's, 146

Men',

Vespas-

Il Principe, Machiavelli's, pur-
pose of, 164, 165; its modern
tone, 167; influence of, 170
Imaginary conversations, lit-
erary form of, in early Re-
naissance, 145

Imitatio Christi, importance of
the, 83, 84

Innocent III, Pope, 43, 44, 55
Innocent IV, Pope, 55

Italy, troubadour poetry in,
48-50

Iter Paradise, 19