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School course settled before Bacon.

means of conveying information. But just then the intellect of Europe was tired of mental gymnastics. It had taken exercise in the Trivium like a squirrel in its revolving cage, and was vexed to find it made no progress.* As for information there was little to be had. The age of observation and of physical science was not yet. So the printing press was entirely at the service of the new passion for literature and the scholars dreamed of the general diffusion of literary culture by means of printed books.

§ 12. For some two centuries the literary spirit had supreme control over the intellect of Europe, and the literary spirit could then find satisfaction nowhere but in the study of the ancient classics. The natural consequence was that throughout this period the "educated man" was supposed to be identified with the classical scholar. The great rival of the literary spirit, the scientific spirit which cares for nothing but sequences independent of the human mind, began to show itself early in the seventeenth century: its first great champion was Francis Bacon. But by this time the school course of study had heen settled, and two centuries had to elapse before the scientific spirit could unsettle it again. Even now when we speak of a man as "well-educated " we are commonly understood to mean that in his youth he was taught the two classical languages. § 13. The taking of the classical scholar as the only

* I see Carlyle has used a similar metaphor in the same connexion: "Consider the old schoolmen and their pilgrimage towards Truth! the faithfullest endeavour, incessant unwearied motion; often great natura! vigour, only no progress; nothing but antic feats of one limb poised against the other; there they balanced, somerseted, and made postures; at best gyrated swiftly with some pleasure like spinning dervishes and ended where they began."-Characteristics, Misc., vol. iii, 5.

First defect: Learner above Doer.

ideal of the educated man has been a fruitful source of evil in the history of education.

I. This ideal exalted the learner above the doer. As far back as Xenophon, we find a contest between the passive ideal and the active, between the excellence which depends on a knowledge of what others have thought and done and the excellence which comes of thinking and doing. But the excellence derived from learning had never been highly esteemed. To be able to repeat Homer's poetry was regarded in Greece as we now regard a pleasing accomplishment; but the dignity of the learned man as such was not within the range of Greek ideas. Many of the Romans after they began to study Greek literature certainly piqued themselves on being good Greek scholars, and Cicero occasionally quotes with all the airs of a pedant; but so thoroughly was the contrary ideal, the ideal of the doer, established at Rome, that nobody ever dreamt of placing its rival above it. In the decline of the Empire, especially at Alexandria, we find for the first time honours paid to the learned man; but he was soon lost sight of again. At the Renascence he burst into sudden blaze, and it was then discovered that he was what every man would wish to be. Thus the Renascence scholars, notwithstanding their ad miration of the great nations of antiquity, set up an ideal which those nations would heartily have despised. The schoolmaster very readily adopted this ideal; and schools have been places of learning, not training, ever since.

§ 14. II. The next defect I observe in the Renascence ideal is this: it attributes to literature more direct power over common life than literature has ever had, or is ever likely to have.

I say direct power, for indirectly literature is one of the

Second: Overestimate of literature.

grand forces which act on all of us; but it acts on us through others, its most important function being to affect great intellects, the minds of those who think out and act out important changes. Its direct action on the mass of mankind is after all but insignificant. We have seen that literature consists in permanent forms of words, expressing the conceptions of individual minds; and these forms will be studied only by those who are interested in the conceptions or find pleasure in the mode in which they are expressed. Now the vast majority of ordinary people are without these inducements to literary study. They take a keen interest in everything connected with their relations and intimate friends, and a weaker interest in the thinkings and sayings and doings of every one else who is personally known to them; but as to the mental conceptions of those who lived in other times, or if now alive are not known even by sight, the ordinary person is profoundly indifferent to them; and of course delight in expression, as such, is out of the question. The natural consequence is that the habit of reading books is by no means common. Mark Pattison observes that there are few books to be found in most English middle-class homes, and he says: “The dearth of books is only the outward and visible sign of the mental torpor which reigns in those destitute regions" (see “Fortnightly Review," November, 1877). I much doubt if he would have found more books in the middle-class homes of the Continent. There is only one kind of reading that is nearly universal-the reading of newspapers; and the newspaper lacks the element of permanence, and belongs to the domain of talk rather than of literature.

Even when we get among the so-called "educated,” we find that those who care for literature form a very small

Literary taste not common.

minority. The rest have of course read Shakespeare and Milton and Walter Scott and Tennyson, but they do not read them. The lion's share of our time and thoughts and interests must be given to our business or profession, whatever that may be; and in few instances is this connected with literature. For the rest, whatever time or thought a man can spare from his calling is mostly given to his family, or to society, or to some hobby which is not literature.

And love of literature is not shown in such reading as is common. The literary spirit shows itself, as I said, in appreciating beauty of expression, and how far beauty of expression is cared for we may estimate from the fact that few people think of reading anything a second time. The ordinary reader is profoundly indifferent about style, and will not take the trouble to understand ideas. He keeps to periodicals or light fiction, which enables the mind to loll in its easy chair (so to speak) and see pass before it a series of pleasing images. An idea, as Mark Pattison says, "is an excitant, comes from mind and calls forth mind; an image is a sedative;" and most people when they take up a book are seeking a sedative.

So literature is after all a very small force in the lives of most men, and perhaps even less in the lives of most women. Why then are the employments of the schoolroom arranged on the supposition that it is the grand force of all? The reason is, that we have inherited from the Renascence a false notion of the function of literature.

§ 15. III. I must now point out a fault in the Renascence ideal which is perhaps the most remarkable of all. Those by whom this ideal was set up were entirely possessed by an enthusiasm for literature, and they made the mistake

Third: Literature banished from school.

of attributing to literature a share in general culture which literature seems incapable of taking. After this we could little have expected that the new ideal would exclude literature from the schoolroom, and yet so it has actually turned out.

As a literary creation contains the conceptions of an individual mind expressed in a permanent form of words, it exists only for those who can understand the words or at least the conceptions.

From this it follows that literature for the young must have its expression in the vernacular. The instances are rare indeed in which any one below the age of fifteen or sixteen (perhaps I might put the limit a year or two higher) understands any but the mother tongue. In the mother tongue indeed some forms of literature exercise a great influence over young minds. Ballad literature seems especially to belong to youth, the youth of nations and of individuals. Aristotle educated Alexander with Homer; and we can easily imagine the effect which the Iliad must have had on the young Greeks. Although in the days of Plato instruction was not confined to literature, he gives this account of part of the training in the Athenian schools: "Placing the pupils on benches, the instructors make them read and learn by heart the poems of good poets in which are many moral lessons, many tales and eulogies and lays of the brave men of old; that the boys may imitate them with emulation and strive to become such themselves." Here we see a very important function attributed to literature in the bringing up of the young; but the literature so used must obviously be in the language of the learners. The influence of a literary work may, however, extend itself far beyond the limits of its own language. When our minds

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